Tyler James: destined to make mischief one day
❚ BRITISH POP’S NEXT JUSTIN TIMBALIKE, according to PopJustice, is Tyler James, the slick-suited Mr Fit who amazingly did NOT win The Voice TV talent show last year, despite a brilliant soulful voice and emotive falsetto. This week he swaggers through the video [below] for his new single Worry About You, featuring British rapper Kano to underline hard-man East London cred. It’s the second heartfelt tune to be released from his recent album A Place I Go, some songs on which reflect his turbulent past as a best buddy of the tragic Amy Winehouse who died last summer.
In the softly porny video for his last release Single Tear we see Tyler as a ho-master. In the new video for Worry About You he moves up to scarfaced power player in gangland. What is it with casting white boys as gangstas? It doesn’t wash. Nor does it square with the songwriter’s yearning in lyrics such as “I haven’t cried a single tear whole year” and “Worry about you baby, I worry about you”. This dude cares about people.
OK, his album is a ballad-led tearjerker but among 14 tracks it contains only two upbeat numbers: we hear none of the mischief we can see in those bright blue eyes. The reviews have been mixed and a consensus feels his handlers have yet to grasp how to project Tyler’s simmering matinee-idol charisma. What is it with today’s pop-biz shapers that they no longer know how to assess a talent and play to his strengths?
❚ EXTRAORDINARY! IS IT POSSIBLE THAT Simon Le Bon’s voice sounds better than ever??? Even on an amateur concert video (above, posted at YouTube by Soralella71)) there was plenty of power and range to the tenor voice soaring over The Brighton Centre last night when Duran Duran opened with Before The Rain — all the more impressive since it was injuring his vocal chords that halted the AYNIN world tour in its tracks last May. There are 11 more gigs to play on this UK and Ireland leg of the tour, so fingers crossed.
➢ “Fizzing with the insouciant pop-funk of their most famous Eighties material” — today’s review at The Arts Desk
AUDIENCE VERDICTS AT FACEBOOK
❏ Corinna Scammell: Thankyou for Brighton — totally bloody marvellous and you did Secret Oktober!
❏ Lindsay Franklin: Bloody Brilliant Show last might in Brighton boys — it’s been too long! Last time I saw you was in the 80s. Even better now. Outstanding.
❏ Dan Thekebabman Burgess: Really enjoyed the show last night guys. Great job, simply amazing!
❏ Julie Stalford: Last night in Brighton was a fantastic night guys, thankyou so much, what a great great live band. Loved it.
John Taylor at Duran’s finale in Brighton last night: “That was definitely worth the wait. Thank you!” (Video grab from Soralella71 at YouTube)
A sentimental postcard from
John in Birmingham
➢ Dec 3: John Taylor on a DD family outing — “ You can’t blame the Brum crowd for their sense of ownership of songs like Planet Earth and Rio, they were written in their back-yard. We have lived in a lot of cities over the years and there have been a lot of places I have called home for a time, but you know, there’s really only one, and that’s the city of Birmingham. It beget us and it made us. Thanks to it for a great night. ” / Read more online
➢ Ten killer DD vids to say welcome back to the UK
Posted in Pop music
Tagged AYNIN, Before The Rain, Birmingham, Concert, Duran Duran, John Taylor, Live, Simon Le Bon, Soralella71, UK tour, verdicts, Video, YouTube
Elegant French production of The Man Who… directed by Jethro Massey, with Faith Anne Gosselin, Sorrel & Massimiliano, Mocchia Di Coggiola
❚ TOMORROW DURAN DURAN RESUME their live British dates on the world tour which had been halted in May by Simon Le Bon’s vocal problems. The All You Need Is Now tour kicks off again in Brighton, and moves on to Europe in the New Year. After a painstaking year-long journey, the Brummie band has regained its status as magnificent international popsters and to celebrate, Shapersofthe80s has selected ten videos which demonstrate the energy Duran’s music has brought to the 20-tweens.
♫ CLICK HERE to view our selection of music videos by independent artists who bring eye-popping interpretations to Duran’s music
❏ Duran’s tongue-in-chic new video for Girl Panic! sees Naomi Campbell assuming the role of vocalist (above) in red Austin Powers suit, while the 80s supergroup re-establishes its signature sound for the 20-tweens. Directed by Jonas Åkerlund and photographed by Erik Sohlström [videograb © Jonas Åkerlund/Harper’s Bazaar UK]
❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer. ➢ Click here to visit a different random item every time you click
Posted in London, Media, Pop music
Tagged 2011, Alan Hughes, Aleksey Khruslov, All You Need Is Now, Coachella, Concert, David Lynch, Duran Duran, garibaldino2, Girl Panic!, Jethro Massey, Man Who Stole a Leopard, Naomi Campbell, Nina Urmanova, pop video, Rafale Kamachi, Sebastian Mihailescu, UK tour, YouTube
❚ HERE’S A FAB GLIMPSE OF DAVID BOWIE in a London street, caught on cine film when he was aged 18. It is newly posted at YouTube by 57-year-old Joe Salama from south-east London. Shapersofthe80s asked Joe about his Bowie connection and he replied: “I suppose I have always been a fan of David Bowie’s music certainly since Hunky Dory when as a youngster I drove a minicab for a while with my Hanimex tape player rigged up to some headphones in my Renault 16. I remember delivering some parts to IBM in Birmingham at night and that album kept me going all the way there and back, thrilled to bits with the sound.
“Regarding the 1960s cine clip, it really was a complete surprise to me and needless to say my late father, who had no idea at the time. This exceptional footage was taken by him on a trip up to the West End of London, totally unaware that David Bowie was the young dude who smiles graciously at the camera. Even when I showed him what he had filmed he was none the wiser and couldn’t remember why he focused on this particular chap. He was trying to film my mum whose face crosses fleetingly behind the great man if you look carefully at the shot. Roughly dated to 1968.”
❏ YouTuber momasu comments: “This is spring 1965, and Davie Jones (as he was still called then) is heading into his favourite cafe on Denmark Street, La Gioconda, possibly after recording demos with his new band The Lower Third at Central Sound Studio next door.”
Pre-Bowie Davie Jones, aged 18: filmed possibly in Tin Pan Alley, London, by Joe Salama’s father
❏ Judging by the numerous photos in Kevin Cann’s meticulous book Any Day Now, two details pin the date of Joe’s film clip down to the early part of 1965: the giant button-down tab-collar shirt Bowie is wearing, and his hair hanging well over his collar, now parted as he moves on from the “helmet” style seen in the 1964 video below. Under the stage name of Davie Jones he had been singing since the previous July with the six-piece R&B band, The Manish Boys, whose hair-length had caused controversy. They record the single I Pity The Fool — produced by Shel Talmy and with a guitar solo by Jimmy Page — which leads to a TV appearance on BBC2’s Gadzooks in March 1965.
17-YEAR-OLD BOWIE ON THE TONIGHT SHOW IN 1964
❏ Nov 12, 1964: Kevin Cann’s book reminds us that when Bowie, then known as Davie Jones, appeared on the BBC’s Tonight show (above) campaigning for “The Society for the prevention of cruelty to long-haired men”, it was a publicity-seeking ploy. Nowhere in the interview does he admit that the hairy men around him in the studio are mostly The Manish Boys, on a rare night off from touring southern England. The previous night they’d played the legendary home of British R&B, the Eel Pie Island club in Twickenham, and the next they were at the Witch Doctor in St Leonards-on-Sea (though without Davie). Incidentally, this is not his TV debut as some claim — that was on Juke Box Jury the previous June.
Posted in Film, London, Pop music, Youth culture
Tagged 1965, David Bowie, Davie Jones, I Pity The Fool, Joe Salama, Kevin Cann, Memorabilia, The Manish Boys, Tonight (TV show), YouTube
❚ ON NOV 28 SPANDAU BALLET’S 1983 chart hit Gold is re-released as an iTunes download newly remixed by superstar trance deejay Paul Oakenfold. But there’s a twist involving 20 fans who stepped up to the mike to record the chorus of the song that has echoed throughout sporting arenas the world over.
In 1981, Cadbury launched its Wispa chocolate bar with bubbles as a competitor to Rowntree’s Aero. Now that Cadbury is the Official Treat Provider of the London 2012 Olympic and Paralympic Games, the bar is relaunched as Wispa Gold with caramel, retailing at 56 pence. The London 2012 Games offer a billion-pound retail opportunity that is unlike anything Britain has experienced before and a quarter of these sales are likely to be made in the final months of this year. When 25m Brits watched the recent Royal Wedding, total revenue hit £50m, so retailers are keen to capitalise on London 2012.
Cadbury is investing £8m in an advertising and sponsorship campaign plus another £1.5m on marketing, all aiming to support Team GB ahead of the 2012 Olympics with the slogan Keep Them Pumped.
Fan, commuter bike, shoelaces: all gilded ready for the video of the remixed Gold
Six of pop’s greatest power training anthems have been re-recorded as campaign soundtracks to encourage athletes preparing for the July Games. New music videos have been shot for The Final Countdown, Simply the Best, Danger Zone while an epic video for We Will Rock You [below] has enlisted more than 200 inhabitants of Merthyr Tydfil to cheer on their Olympic hockey player Sarah Thomas.
Spandau’s sleek and glitteringly golden video for the Oakenfold remix features Team GB athlete and BMX champion Shanaze Reade, plus the 120 fans selected in online auditions who then came into the studio to give full voice to the chorus. Below, we see one of them definitely getting into the Olympic spirit. “The song will be equally at home in the charts as it will in the clubs,” reckons the optimistic sax player Steve Norman. Oakenfold has one word for it: “floor-filler”.
➢ Spandau’s own website is offering a new Gold 2012 range of hats, T-shirts and other merchandise
Posted in London, Media, Pop music
Tagged advertising, Gold (pop song), London 2012, music video, Olympic Games, Paul Oakenfold, remix, Sarah Thomas, Shanaze Reade, Spandau Ballet, We Will Rock You, Wispa Gold, YouTube