Tag Archives: Video

2015 ➤ So no pressure then, as Spandau’s world tour kicks off

◼ “WHAT A GREAT WAY TO START A WORLD TOUR!” a beaming Steve Norman told the audience in San Francisco last night. “Thank you so much.” Spandau Ballet kicked off their 41-date Soul Boys of the Western World Tour at the 2,300-seat Warfield, built as a plush crimson vaudeville theatre in the 1920s, the same venue they played on their last US visit 31 years ago. And judging from the singalong audible on YouTube videos posted by fans, the night sounded a success.

Two more dates complete the California leg of the tour this weekend, much to the disappointment of fans in other parts of the US and Canada whose bookings were cancelled at short notice last week and rescheduled into April and May. Many had planned to fly in from other states and even other countries to attend. One Canadian diehard who had bookings for five concerts told us: “If I had known all this, I would have gone to London to catch the UK start in March.”

Spandau Ballet , Soulboys of the Western World, US Tour,The band assure Shapers of the 80s that this decision had been taken by their American promoter. Last night sax player Steve Norman said: “I do understand that some people were put out, to say the least. Please give my apologies. It is a real shame.”

As for returning to the Warfield, Steve said: “It was an awesome night, felt like a second coming for all present. The energy in the room was electric. I guess expectations were high seeing as we hadn’t performed in the US for so long. But American fans are loyal and they made sure it was one of the most enjoyable Spandau shows of all time. I’m so looking forward to the LA gig tognight.”

Fans beyond California have a small compensation: Yahoo’s live online stream tomorrow night from the Wiltern Theatre concert in Los Angeles at 8.45pm (PT), and viewable thereafter on a seemingly indefinite loop 24/7.

First night at the Warfield: Click any pic to launch slideshow


➢ The first review is in from Jim Harrington
of Bay Area News Group:

The synthesizer and saxophone soared. Saccharine ballads and slick pop anthems were in ample supply. Folks dressed up like Crockett and Tubbs from Miami Vice. There was an old-school MTV sheen to the entire production. Most important of all, the lead singer’s hair was perfect. Man, I love the 80s.

And it felt like I got a second helping of the decade at The Warfield, courtesy of 80s hitmakers Spandau Ballet. . . The show was mostly about celebrating the past. Yet, the group also gave us reason to believe that Spandau Ballet might have a promising future … / Continued online

➢ Steven Gdula in awe at the Warfield
for Dinosaur magazine:

The first seven songs included three new compositions, plus past hits Highly Strung, Only When You Leave and Round and Round. The performances were winning. At times blistering, even. So much so that my old indifference to latter-day Spandau Ballet compositions was replaced with more than just respect. I was in awe. Tony Hadley’s voice fits him better than ever at this point in his life, and his comfort level shows. His phrasings were sophisticated, sometimes lingering behind the beat, sometimes anticipating it, sounding every bit like the soul or jazz crooners he’s emulated. And when he allowed his voice to soar, no roof could have sealed it in. Steve Norman’s sax rides were likewise unstoppable, often to the point of competing with Hadley’s voice in the mix. The Kemp brothers — Martin on bass and Gary on guitar — were tight and musically stylish without being flashy, and John Keeble’s muscular drumming kept driving it all forward. . . / Continued online

➢ New dates for Spandau Ballet’s North America live tour – starting 23–25 Jan in California but with other US and Canada concert dates rescheduled for April–May. Click through for complete list of world tour dates 2015.

Spandau Ballet , Soulboys of the Western World, US Tour, NYC, SiriusXM,

At SiriusXM radio on Wednesday: Spandau Ballet studio session for coast-to-coast satellite broadcast. Photograph by Richard Blade

Spandau Ballet , Soulboys of the Western World, US Tour, Steve Norman, John Keeble, Tony Hadley, ,

Keeble, Hadley and Norman, 2015: grabbing a proper pint at the Belmont on La Cienega in Los Angeles. (Tweeted by Steve Norman)

UPDATE: AT THE WILTERN, LOS ANGELES

➢ Lina Lecaro is seduced for the LA Weekly:
The band’s first proper Los Angeles show in three decades did not go unnoticed. It sold out the Wiltern Theatre, and a second night was added. Saturday, the first of the weekend shows, the “boys” of Ballet had something to prove to LA and they did, bestowing their mostly thirty-and-fortysomething fan base with a set that was near perfection sound-wise and as visually appealing as anything they did back in their 80s heyday. And yes, by visually appealing we mean they still look good. Real good. . . / Continued online

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➤ Spandau fan Jan says Yes that’s me shinning up the drainpipe in 1982

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

◼ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street.

Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in. I was in the crowd snapping their daring climb, but for years the girls’ identities remained unknown. Now, the first teenager helped through the window and into Martin Kemp’s arms has been in touch with Shapers of the 80s to admit ownership of that handbag after all these years. She is Janet Gargan who still lives in the area and, naturally, is planning to see the band at Liverpool’s Echo Arena next March on their 2015 tour.

She emailed saying: “I had no idea your pic ever existed or that anyone remembered the drainpipe incident. Until recently, it had remained a family story but just goes to show your past can haunt you at any time. This really has been a blast from the past. I was at school at the time and I climbed up there with my school friend Jeanette, although it’s been many years since I’ve seen her.

Spandau Ballet, New Romantics, Blitz Kids, Empire theatre, Liverpool, Swinging 80s, fans,

Triumph! Jan tells her friends she and Jeanette made it into Spandau Ballet’s dressing room at the Empire, 1982. Snapped by © Shapersofthe80s

“I wanted to meet Tony Hadley and my friend was crazy about Martin Kemp. I do remember the boys being in complete shock about what we had done and signed all our merchandise. They gave us a drink (soft of course!) and sent us on our way – not down the drainpipe thankfully! I have thought in recent years how utterly gentlemanly they all were and very kind to us.”

The second climber Jeanette fell into the arms of sax-player Steve Norman. He retells the story on ITV’s recent bio-show True Gold: “We heard this tapping noise at the window and this girl had climbed the drainpipe to get a look at the band two floors up.” Tony Hadley adds: “It was like being the Beatles – mass hysteria.”

To cap it all, Jan has another revelation to make. “Spandau Ballet played in Liverpool again during the True tour of 1983 when the same friend and I left the concert early and headed to the Atlantic Tower hotel where we knew they were staying. Lots of fans turned up there but we befriended two elderly guests of the hotel who took us in under the guise of being ‘grand-daughters’. We were so worried about our cover being blown that we jumped into the lift of the hotel as fast as we could and as the doors closed we turned around to find the band in the lift! It was Tony Hadley who recognised us and said ‘You are the two girls who climbed the drainpipe last year!’ This was definitely a crazy experience but all true. It’d be great to know if the band remember that encounter too.”

Looking back now, Jan describes those adventures as hilarious though fraught with sheer determination. “It wasn’t unusual for me to go to great lengths to meet people at that time. The same friend and I also met Depeche Mode when they played Liverpool in the 80s – yes, staying in the same hotel. They were supported by Matt Fretton and we sat in the hotel having a chat with the band when a lady came out of the function room and asked if we would all like to join their party for her daughter’s 18th! Of course it would have been rude not too!”

Today Jan the ardent pop fan makes her living as a social worker and, according to a friend, “spends all her time helping other people”. For professional reasons she did not want her photograph to be published and, even though I thought I’d found her on Facebook, this turns out to be somebody else of the same name.

Spandau Ballet, New Romantics, Blitz Kids, Atlantic Tower hotel, John Keeble, Martin Kemp, Liverpool, Swinging 80s, fans,

Mobbed again a year later, 1983: Martin Kemp and John Keeble sign autographs through the fence at the back of Spandau’s Liverpool hotel. Snapped by © Shapersofthe80s

➢ Previously at Shapersofthe80s: More on 8 May 1982 – the return of The Scream to British pop

➢ 1982, How Spandau put Peter Capaldi on the road to play the new Doctor Who

➢ Jan 17 update: Shock change to Spandau Ballet’s North America live tour 2015 – Spandau’s world still tour kicks off 23–25 Jan in California, but with other US and Canada concert dates rescheduled for April–May. The European leg kicks off in Dublin 3 March. Click through for complete list

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➤ It may be winter outside but here’s a feast of girl groups who put spring in our hearts

1974: Oo-oo-oooo-oo!

1961: But will my heart be broken?

1962: chugga chugga motion like a railroad train

1963: Shooby-dooby-dooby-dooby doo wah bah

1963: Da Doo Ron Ron

1964: Woh oh oh – the things he likes to doooooo

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1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A long-lost live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

24 NOV UPDATE FROM THE VAULT ♫ CHANGE ♫

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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➤ Celebrating Midge Ure: the big-hearted old poser behind Band Aid

 Band Aid 30, pop music, recording, Midge Ure

Band Aid 30: Midge Ure yesterday conducting the artists for a new version of the song Do They Know It’s Christmas? Photograph: Band Aid Trust/Brian Aris/Camera Press

◼ TODAY AT 8pm ON THE X-FACTOR BAND AID 30 airs the fourth version of its pop smash hit, Do They Know It’s Christmas? So let’s remember the lifelong contribution of the quietest man in pop, Midge Ure, who is the true brains behind the charity project. As Bob Geldof described him on This Is Your Life: “He’s a great guy, hilariously funny though you wouldn’t know it from his old New Romantic posing. He’s got a great heart and is a great all-round good bloke.”

➢ Previously at Shapersofthe80s: 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: How Midge Ure helped shape the British New Wave

Midge: “There’s no doubt the early 80s was a golden age of music made by real popstars who created themselves. It was more than just padded shoulders and asymmetrical haircuts. It was a pivotal moment in our cultural history when new tech mixed with new ideas to create something really good. All in the pressure cooker environment that was the Blitz club”

Rusty Egan, Steve Strange, Midge Ure, Visage, synth-pop, new wave, electro-pop,Band Aid, Rocking the Blitz,BBC

Visage Mk 1: Rusty Egan, Steve Strange and Midge Ure in 1978 searching for sounds and styles

UPDATE: BAND AID 30 MUSIC VIDEO – PG ADVISED

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