Tag Archives: Steve Norman

Spandau 2010 ➤ Normski says Hola! to Barcelona

Steve Norman, Barcelona

Steve Norman doppelgangers in BCN: live in yer face at front of stage and caught on the video backdrop. Pictured © by Shapersofthe80s

➢ View the video of Normski’s live sax break here

◼ STEVE NORMAN GIVES A THUMBS-UP FOR BARCELONA during one of his dirrrty sax solos on Spandau Ballet’s Reformation tour in 2010 (above). He and the rest of Spandau Ballet returned to Spain this week on their worldwide Soul Boys of the Western World Live tour and tickets are still available for their two weekend dates at the Festival Pedralbes in Barcelona.

Earlier this week on his personal art tour Gary Kemp was bowled over in Bilbao: “Wow. Just seen Gehry’s Guggenheim museum for the first time in the flesh. Even in the rain its magnificent.” Martin tweets: “Thank you Madrid… You were fantastic!” Now Steve is all set: “Ya venimos Barça.”

Spandau Ballet, Soul Boys of the Western World Live, concerts, Madrid, Spain

Surprise acoustic taster: Steve Norman, Tony Hadley and Gary Kemp playing bang in the centre of Madrid. Photo: Carlos Rosillo

➢ Tickets still available for 20 and 21 June when Spandau Ballet play the Festival Pedralbes 2015 in Barcelona, priced from €58 to 128

➢ Spandau’s UK and international concerts continue through the summer months

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➤ Today’s pix from Steve Strange’s funeral

◼ EXCLUSIVE VIDEO FOOTAGE coming soon at Shapersofthe80s.com. . .

Steve Norman , Blitz Kids, New Romantics, Martin Kemp , Steve Strange, funeral, Boy George, Wales, Stephen Harrington

Steve Strange’s funeral, Porthcawl, Wales

Grief was all too evident throughout today’s funeral in Wales for Visage frontman Steve Strange. Here Martin and Gary Kemp of Spandau Ballet contemplate lifting the coffin, as pall-bearers. . . Two pop stars made eulogies at the service. As a close friend of Strange, Spandau sax player Steve Norman said: “A lot has been said since Steve passed about the pop culture and how he shaped it in the 80s. We wish a few more people had said it when he was around.”

Steve Norman , Blitz Kids, New Romantics, Martin Kemp , Steve Strange, funeral, Boy George, Wales, Stephen Harrington

Steve Strange’s funeral, Porthcawl, Wales

Here Steve Norman and Martin Kemp help carry Steve Strange’s coffin back to the hearse after his funeral service today. Boy George’s feet can be seen in silver trainers. In his eulogy George, who wore a flat cap throughout the high Anglican church service, described Steve as “a part-time nemesis, new romantic, old romantic, futurist fashionista, Welshman, weirdo, sister, saint and sinner”.

❏ Curious fact: On the funeral’s Order of Service Steve Strange’s real name Stephen Harrington was revealed to be spelt with “ph”. Since our paths first crossed, he had always spelt his own name as Steven with a V. It’ll take a while for us to correct the many mentions of his name here at Shapers of the 80s.

➢ Previously at Shapersofthe80s:
All on one website: the tidal wave of tributes that have
flooded in for Steve Strange

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2015 ➤ So no pressure then, as Spandau’s world tour kicks off


◼ “WHAT A GREAT WAY TO START A WORLD TOUR!” a beaming Steve Norman told the audience in San Francisco last night. “Thank you so much.” Spandau Ballet kicked off their 41-date Soul Boys of the Western World Tour at the 2,300-seat Warfield, built as a plush crimson vaudeville theatre in the 1920s, the same venue they played on their last US visit 31 years ago. And judging from the singalong audible on YouTube videos posted by fans, the night sounded a success.

Two more dates complete the California leg of the tour this weekend, much to the disappointment of fans in other parts of the US and Canada whose bookings were cancelled at short notice last week and rescheduled into April and May. Many had planned to fly in from other states and even other countries to attend. One Canadian diehard who had bookings for five concerts told us: “If I had known all this, I would have gone to London to catch the UK start in March.”

Spandau Ballet , Soulboys of the Western World, US Tour,The band assure Shapers of the 80s that this decision had been taken by their American promoter. Last night sax player Steve Norman said: “I do understand that some people were put out, to say the least. Please give my apologies. It is a real shame.”

As for returning to the Warfield, Steve said: “It was an awesome night, felt like a second coming for all present. The energy in the room was electric. I guess expectations were high seeing as we hadn’t performed in the US for so long. But American fans are loyal and they made sure it was one of the most enjoyable Spandau shows of all time. I’m so looking forward to the LA gig tognight.”

Fans beyond California have a small compensation: Yahoo’s live online stream tomorrow night from the Wiltern Theatre concert in Los Angeles at 8.45pm (PT), and viewable thereafter on a seemingly indefinite loop 24/7.

First night at the Warfield: Click any pic to launch slideshow


➢ The first review is in from Jim Harrington
of Bay Area News Group:

The synthesizer and saxophone soared. Saccharine ballads and slick pop anthems were in ample supply. Folks dressed up like Crockett and Tubbs from Miami Vice. There was an old-school MTV sheen to the entire production. Most important of all, the lead singer’s hair was perfect. Man, I love the 80s.

And it felt like I got a second helping of the decade at The Warfield, courtesy of 80s hitmakers Spandau Ballet. . . The show was mostly about celebrating the past. Yet, the group also gave us reason to believe that Spandau Ballet might have a promising future … / Continued online


➢ Steven Gdula in awe at the Warfield
for Dinosaur magazine:

The first seven songs included three new compositions, plus past hits Highly Strung, Only When You Leave and Round and Round. The performances were winning. At times blistering, even. So much so that my old indifference to latter-day Spandau Ballet compositions was replaced with more than just respect. I was in awe. Tony Hadley’s voice fits him better than ever at this point in his life, and his comfort level shows. His phrasings were sophisticated, sometimes lingering behind the beat, sometimes anticipating it, sounding every bit like the soul or jazz crooners he’s emulated. And when he allowed his voice to soar, no roof could have sealed it in. Steve Norman’s sax rides were likewise unstoppable, often to the point of competing with Hadley’s voice in the mix. The Kemp brothers — Martin on bass and Gary on guitar — were tight and musically stylish without being flashy, and John Keeble’s muscular drumming kept driving it all forward. . . / Continued online


➢ New dates for Spandau Ballet’s North America live tour – starting 23–25 Jan in California but with other US and Canada concert dates rescheduled for April–May. Click through for complete list of world tour dates 2015.

Spandau Ballet , Soulboys of the Western World, US Tour, NYC, SiriusXM,

At SiriusXM radio on Wednesday: Spandau Ballet studio session for coast-to-coast satellite broadcast. Photograph by Richard Blade

Spandau Ballet , Soulboys of the Western World, US Tour, Steve Norman, John Keeble, Tony Hadley, ,

Keeble, Hadley and Norman, 2015: grabbing a proper pint at the Belmont on La Cienega in Los Angeles. (Tweeted by Steve Norman)

UPDATE: AT THE WILTERN, LOS ANGELES


➢ Lina Lecaro is seduced for the LA Weekly:
The band’s first proper Los Angeles show in three decades did not go unnoticed. It sold out the Wiltern Theatre, and a second night was added. Saturday, the first of the weekend shows, the “boys” of Ballet had something to prove to LA and they did, bestowing their mostly thirty-and-fortysomething fan base with a set that was near perfection sound-wise and as visually appealing as anything they did back in their 80s heyday. And yes, by visually appealing we mean they still look good. Real good. . . / Continued online

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➤ Catch up on New Romantic landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 890,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly being read here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — This much-recycled account originally penned by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved. Spandau Ballet songwriter Gary Kemp responded: “A superb piece. It will be referred to historically.”

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

Romance blossoms: Drummer Jon Moss gives George O’Dowd a peck at Planets club in July 1981 way before their band Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after this heavily fictionalised life story was broadcast in 2010, Shapers of the 80s canvassed this authoritative mixture of opinions on the Boy George myth and in doing so reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually run the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty musical Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates Slade from Bowie, the naff blokes in Bacofoil from starmen with pretensions

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2009 till now ➤ Archive of posts at Shapersofthe80s

❏ iPAD, TABLET & MOBILE USERS PLEASE NOTE — You may see only a tiny selection of items from this wide-ranging website about the 1980s, not chosen by the author. To access fuller background features and site index either click on “Standard view” or visit Shapersofthe80s.com on a desktop computer.
➢ Click here to visit a different random item every time you click

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