Category Archives: Youth culture

1955–2014 ➤ Frankie Knuckles, the Godfather of House Music, is gone

Frankie Knuckles,house music, tributes, deejay, Chicago,

2012: an Evening with Frankie Knuckles at Smart Bar, Chicago (© Tasya Menaker). His final live deejay set was at Ministry of Sound in London on Saturday. He had been scheduled to return to the UK for shows at Gatecrasher in Birmingham and The Arches in Glasgow later this month


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➢ Today’s tribute to Frankie Knuckles at Rolling Stone,
by Michaelangelo Matos:

Nobody can agree on who invented the blues or birthed rock & roll, but there is no question that house music came from Frankie Knuckles, who died Monday afternoon of as-yet-undisclosed causes at age 59. One of the 80s and 90s’ most prolific house music producers and remixers, Knuckles is, hands down, one of the dozen most important deejays of all time.

 Chicago, Warehouse,clubbing

The Chicago block where the Warehouse stood

At his Chicago clubs the Warehouse (1977-82) and Power Plant (1983-85), Knuckles’ marathon sets, typically featuring his own extended edits of a wide selection of tracks from disco to post-punk, R&B to synth-heavy Eurodisco, laid the groundwork for electronic dance music culture — all of it.

Knuckles made an abundant number of dance classics, including early Jamie Principle collaborations Your Love (1986) and Baby Wants to Ride (1987); Tears (1989), with Satoshi Tomiiee and Robert Owens; The Whistle Song (1991); and his remixes of Chaka Khan’s Ain’t Nobody (1989), Sounds of Blackness’s The Pressure (1992), and Hercules and Love Affair’s Blind (2008) … / Continued at Rolling Stone

August 25, 2004:  declared Frankie Knuckles Day in Chicago by the then-senator Barack Obama

August 25, 2004: declared Frankie Knuckles Day in Chicago by the then-senator Barack Obama

➢ Knuckles, the man I knew, by Clive Morgan in the Daily Telegraph

➢ Priest of the dancefloor, by Alexis Petridis in The Guardian

tom johnston, frankie knuckles, cartoon

VIDEO INTERVIEW IN LONDON 2012

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2014 ➤ Curtain up on Spandau’s rollercoaster saga of war and peace

Spandau Ballet, SXSW, Vulcan Gas Company, pop music, Tony Hadley, concert

Hello America! In Austin, Texas, 28 years after their last vsit, Spandau Ballet return to play live

➢ UPDATE – First official review of SBWW from Mel Brown at Facebook:
I’m a very lucky girl. Got to see the worldwide premiere of Soul Boys of the Western World. Truly amazing. An emotional roller coaster. This film is not just for Spandau fans, it’s for anyone who loves a good story of friends growing up together. Can’t wait for its UK release. Thanks guys! Looking forward to the first US show in 28 years tonight.

❚ AUSTIN, TEXAS, IS SIX HOURS BEHIND THE UK so any minute NOW the curtain is going up on the world premiere of Soul Boys of the Western World. The documentary movie made entirely from vintage footage follows the rise and fall of the five london schoolpals who became one the the world’s half dozen pop supergroups of the 80s. And in two hours’ time we’ll know how much of a tearjerker it turns out to be. Take it away, Tone!

Spandau Ballet, reunion, TV, interview, Soul Boys of the Western World,movie,pop music, SXSW

Spandau Ballet all together on the Austin TV breakfast show: first public reunion since the Reformation tour ended in summer 2010

➢ Tony Hadley on Facebook early today:
A tiring but extremely successful day 2 at SXSW. We spent pretty much the entire day from 7.30am to 6pm doing promotion for the movie. The feedback from all the journalists that interviewed us was fantastic and there will be some reviews online later. In the afternoon we had a couple of hours to head out and check our back-line equipment for today’s show at a rehearsal facility here. In the room next door there was Kanye West and Jay-z rehearsing. 
Last night I had a chance to go and see London Grammar, Imagine Dragons and Coldplay playing at the iTunes Festival here. They all put on a great show.

“ Today is the main Spandau Ballet event…the premiere of Soul Boys of the Western World at the Paramount Theatre at 1400hrs. Very exciting!
 Tonight we play our first show here in the US for 28 years at the Vulcan Gas Company and we are all really looking forward to it. I’ll let you know tomorrow how it went!!

FIRST SNAPS AFTER THE SCREENING

Soul Boys of the Western World, Spandau Ballet, SXSW, Austin, premiere, movie, pop music, George Hencken

After the screening of Soul Boys of the Western World: Spandau invite a Q&A from the Paramount audience… Far left, the film’s director George Hencken

Today’s Tweet from Gary Kemp ‏@garyjkemp
On stage with band and director @georgehencken for Q&A post screening. Thank you @sxsw, it was emotional.

Spandau Ballet, Vulcan Gas Company, concert, pop music, SXSW,Austin

Soundcheck for tonight’s live gig: Spandau onstage together for the first time in almost four years at the Vulcan Gas Company in Austin. Photo by Spandau’s first record producer, Richard James Burgess

Today’s Tweet from Spandau’s film director Henckenstein ‏@georgehencken
Tonight is going to be about this: #SpandauBallet #VulcanGasCompany

 Richard Burgess , Spandau Ballet, Steve Norman, film, Soul Boys of the Western World, premiere,SXSW

Another reunion! Steve Norman meets up with Spandau’s first record producer Richard Burgess today at SXSW

Today’s tweet from Spandau’s first record producer Richard James Burgess
I haven’t seen them in a small room since 1980

Spandau Ballet, SXSW, Vulcan Gas Company, pop music, Tony Hadley, concert

After the soundcheck for tonight’s Spandau show: Tony Hadley relaxing as Steve Norman takes the snap

Today’s tweet from Steve Norman ‏@SteveNormanReal
The big man post sound check, pre gig madness @TheTonyHadley #SXSW

Soul Boys of the Western World, Spandau Ballet, SXSW, premiere, movie, pop music

Marquee of the Paramount in Austin, Texas: Soul Boys of the Western World premieres today

➢ Today’s SXSW 2014 print interview with Spandau Ballet and their film director George Hencken

➢ Click to view the trailer of Soul Boys of the Western World

➢ Previously at Shapersofthe80s: Spandau confirms live reunion gig in Texas – for a tiny elite!

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➤ Rock god Lovatt exits TV talent show with charisma intact

Jamie Lovatt, rock music

The performance: Jamie Lovatt gives his all on The Voice, March 8 © BBC

❚ THAT’S THE WAY TALENT CONTESTS CRUMBLE. One minute you’re flavour of the week. The next, you’re out. That’s the way Saturday primetime TV crumbles too. The show is called The Voice. It’s not called The Star. So although glam-rocker Jamie Lovatt radiated tons more charisma than the awkward bloke from the pub, Chris Royal, who was wearing his Auntie Mabel’s pinafore under his jacket, the bloke won this week’s vocalists face-off because apparently, according to coach Ricky Wilson, you “can’t learn the kind of emotion he can portray in a song”. (Even while wearing a pinafore and a twat-Kevin baseball cap back to front. In 2014! Per-lease!)

The pair were billed as Emotion vs Power and powerhouse Jamie was sent packing back to his band Romance, whose bookings have suddenly sky-rocketed thanks to his TV appearances, so that can’t be bad. Pop goddess Kylie did bid him goodbye saying: “Everybody’s going to fall in love with you. You already have it all. Run with it.” Fact is, Jamie has all the attitude to be the next Adam Lambert and a better rock voice than the falsetto bloke from the pub, so long as he chooses better rock songs by real rock writers than the Adele number he nobly had to get his vocal cords round on Saturday night.

Click any pic to launch slideshow

After Ricky the coach had passed verdict on which of his two protégés was staying in the contest, he totally bottled out of making eye contact with Jamie in their kissy-huggy moment of parting, and mumbled one of those reality-show platitudes: “Life is made of big decisions. You made a really big decision. I had to make one too.” He did look choked, to be fair for one second, but he did also look like the man who drowns kittens in a sack, and turned away utterly shame-faced. The best bit was Jamie’s flouncy exit during which the other three judges beamed benignly behind him and couldn’t take their eyes off his defiant strut.

Today, Jamie posted this equally defiant new cover of Paul Weller’s Brand New Start, videoed beneath chintz lampshades while perched on a cushion. Two fingers up to suburbia.

➢ Catch up on Saturday’s battle between Chris and Jamie who perform first on The Voice – on BBC iPlayer until April 12

➢ New UK gig dates at the website of Jamie’s band Romance

➢ Previously at Shapersofthe80s: The Voice’s rock god Lovatt surprises Britain and shocks himself

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➤ Warts-and-all revelations now that Spandau want the truth to be known

Soul Boys of the Western World, Spandau Ballet, trailer, SWSW, premiere,biopic, pop music, New Romantics, Blitz Kids,

The defeated Norman, Keeble and Hadley outside the law court 1999: “You can see on our faces Spandau Ballet had just come to an end”

Soul Boys of the Western World, Spandau Ballet, trailer, SWSW, premiere,biopic, pop music, New Romantics, Blitz Kids,Gary Kemp, Tony Hadley

Hell freezes over as an interviewer asks: “Gary, you’ve been referred to as the driving force. What is the input of the others in the group?” Tony Hadley: “Ah-ha-ha!”

❚ WHAT A HAIR-SHIRT OF A TRAILER! Nettlesome would be a good word for the first glimpse we’ve been given this week of Soul Boys of the Western World, the warts-and-all biopic about the rise and fall (and rise again) of Spandau Ballet, which premieres next week at SXSW in Texas. The trailer rattles through the glorious birth pangs of a new fashion-and-music scene in the 80s and screeches to a standstill at the gaping open wound when the band decided in 1989 they really didn’t like each other any more.

➢ Click to view the trailer of
Soul Boys of the Western World

For 20 icy seconds hairs rise on the back of your neck. A direct question in a TV interview blows a hole in Spandau’s credibility – Tony Hadley simply laughs. Before a another interviewer, the Kemp brothers dissemble about their acting ambitions. After a battle over money, three band members leave the law court defeated. And lifelong friendships wither before our eyes. John Keeble said this year: “It’s very honest and very difficult. It’s a film about redemption.” By God, it had better be.

➢ Previously at Shapersofthe80s: Spandau confirms live reunion gig in Texas – for a tiny elite!

Soul Boys of the Western World, Spandau Ballet, trailer, SWSW, premiere,biopic, pop music, New Romantics, Blitz Kids,

“These guys talk funny, right?” – Best of friends since their schooldays, Spandau Ballet star on Soul Train in 1985, at the height of their American fame

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➤ Blue Rondo’s fat has been a long time a-chewing but May is now the month

Blue Rondo à la Turk,Chris Sullivan,remix, ,British, Latin-funk,1980s, dance music,

Me and Mr Sanchez: 1981’s debut chart hit for Blue Rondo à la Turk with cover art by former Wag club host Chris Sullivan

❚ PROMISES! PROMISES! All-round clubbing maestro Chris Sullivan has been faffing away for a year since he got his hands on the original master-tapes of his stand-out Latin-funk dance-band of 1982, Blue Rondo à la Turk. Going public on Facebook today, he dares to promise a re-release of their first album Chewing The Fat this spring (having originally mooted it for last spring), meanwhile posting online a punchy fresh mix of their debut chart single, Me and Mr Sanchez.

Sullivan said: “This is a remix we’ve done for our forthcoming bonus remix CD to accompany the first ever CD release of Blue Rondo’s first album Chewing The Fat on May 5.” Then comes the killer punch: “We’re looking to license it to a TV company for the World Cup… any ideas? It’s a no brainer and the original was used in Brazil by Globo TV for the 1982 World Cup but this is a better mix.”

A year ago he was downloading the whole Rondo catalogue fresh off the original tapes, saying: “First time anyone will have heard them digitally – other than disc dubs, of course. Looking back and listening to the tunes (especially the Heavens are Crying mix) what astonishes me is the f***-you-we’ll-do-our-thing approach.”

Since then Sullivan has released a handful of mixes from the putative new album, including an earlier mix of Mr Sanchez about which he acknowledged that the dean of swing, ex-Rondo guitarist Mark Reilly, “did the lion’s share”.

➢ Blue Rondo breathe fresh life into Mr Sanchez

➢ A brighter Bluer Rondo for the 20-tweens

➢ Sullivan and his hinterland 1982–2012

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