Category Archives: Youth culture

➤ Spandau fan Jan says Yes that’s me shinning up the drainpipe in 1982

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

8 May, 1982: Now identified! A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

◼ A 30 YEAR-OLD MYSTERY HAS BEEN SOLVED. At the climax to Spandau Ballet’s first national tour in 1982 fan mania broke out on a level comparable to the 1960s. When their single Instinction crashed into the UK charts with freshly injected energy from producer Trevor Horn, three extra tour dates were added in May. After the show in Liverpool, the creative birthplace of British pop music, a crowd of about 500 fans mobbed the stage door at the fabled Empire theatre. A shadow had only to fall across the band’s dressing room window for screams to erupt in the street.

Two girls then decided to shin the drainpipe and beat the window with their handbags until they were let in. I was in the crowd snapping their daring climb, but for years the girls’ identities remained unknown. Now, the first teenager helped through the window and into Martin Kemp’s arms has been in touch with Shapers of the 80s to admit ownership of that handbag after all these years. She is Janet Gargan who still lives in the area and, naturally, is planning to see the band at Liverpool’s Echo Arena next March on their 2015 tour.

She emailed saying: “I had no idea your pic ever existed or that anyone remembered the drainpipe incident. Until recently, it had remained a family story but just goes to show your past can haunt you at any time. This really has been a blast from the past. I was at school at the time and I climbed up there with my school friend Jeanette, although it’s been many years since I’ve seen her.

Spandau Ballet, New Romantics, Blitz Kids, Empire theatre, Liverpool, Swinging 80s, fans,

Triumph! Jan tells her friends she and Jeanette made it into Spandau Ballet’s dressing room at the Empire, 1982. Snapped by © Shapersofthe80s

“I wanted to meet Tony Hadley and my friend was crazy about Martin Kemp. I do remember the boys being in complete shock about what we had done and signed all our merchandise. They gave us a drink (soft of course!) and sent us on our way – not down the drainpipe thankfully! I have thought in recent years how utterly gentlemanly they all were and very kind to us.”

The second climber Jeanette fell into the arms of sax-player Steve Norman. He retells the story on ITV’s recent bio-show True Gold: “We heard this tapping noise at the window and this girl had climbed the drainpipe to get a look at the band two floors up.” Tony Hadley adds: “It was like being the Beatles – mass hysteria.”

To cap it all, Jan has another revelation to make. “Spandau Ballet played in Liverpool again during the True tour of 1983 when the same friend and I left the concert early and headed to the Atlantic Tower hotel where we knew they were staying. Lots of fans turned up there but we befriended two elderly guests of the hotel who took us in under the guise of being ‘grand-daughters’. We were so worried about our cover being blown that we jumped into the lift of the hotel as fast as we could and as the doors closed we turned around to find the band in the lift! It was Tony Hadley who recognised us and said ‘You are the two girls who climbed the drainpipe last year!’ This was definitely a crazy experience but all true. It’d be great to know if the band remember that encounter too.”

Looking back now, Jan describes those adventures as hilarious though fraught with sheer determination. “It wasn’t unusual for me to go to great lengths to meet people at that time. The same friend and I also met Depeche Mode when they played Liverpool in the 80s – yes, staying in the same hotel. They were supported by Matt Fretton and we sat in the hotel having a chat with the band when a lady came out of the function room and asked if we would all like to join their party for her daughter’s 18th! Of course it would have been rude not too!”

Today Jan the ardent pop fan makes her living as a social worker and, according to a friend, “spends all her time helping other people”. For professional reasons she did not want her photograph to be published and, even though I thought I’d found her on Facebook, this turns out to be somebody else of the same name.

Spandau Ballet, New Romantics, Blitz Kids, Atlantic Tower hotel, John Keeble, Martin Kemp, Liverpool, Swinging 80s, fans,

Mobbed again a year later, 1983: Martin Kemp and John Keeble sign autographs through the fence at the back of Spandau’s Liverpool hotel. Snapped by © Shapersofthe80s

➢ Previously at Shapersofthe80s: More on 8 May 1982 – the return of The Scream to British pop

➢ 1982, How Spandau put Peter Capaldi on the road to play the new Doctor Who

➢ Jan 17 update: Shock change to Spandau Ballet’s North America live tour 2015 – Spandau’s world still tour kicks off 23–25 Jan in California, but with other US and Canada concert dates rescheduled for April–May. The European leg kicks off in Dublin 3 March. Click through for complete list

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1980–2014 ➤ Ten inspirational reminders from the 80s to stir today’s young to action

Waldorf Hotel, Spandau Ballet, Blitz club, New Romantics, youth culture,Blitz Kids , To Cut a Long Story Short, London, clubbing, DJs,

Waldorf Hotel 1980: seated at centre, Spandau Ballet, house band of Covent Garden’s Blitz club, home of the New Romantics movement, plus support team of Blitz Kids who helped put their first single To Cut a Long Story Short into the UK singles chart at No 5, on 6 Dec 1980. Average age 20, everyone had a specific role to play in staging and promoting the band: seven musicians, six designers, three media and management, three club-hosts, two DJs, one crimper and 22 egos. Photographed for the Evening Standard © by Herbie Knott

◼ TEN OF THE MOST POPULAR POSTS visited here during 2014 confirm Shapers of the 80s as an “invaluable website” in the words of British historian Dominic Sandbrook. Grounded in the 1980s – the most explosive decade for British youth culture since the Swinging 60s – our eye witness reports and monthly reviews of British nightlife were originally published in magazines such as The Face, the “style bible” of its day. Our recent commentaries monitor fresh interest in the revival of 80s music and attitude during the past five years. Year-ending visit figures at Shapers of the 80s during 2014 have increased year-on-year by 16% to total 210,000.

Much unseen vintage video footage was discovered by the producers researching Spandau Ballet’s biopic, Soul Boys of the Western World, which proved an eye-opening slice of social history when it was released this year. Every frame reveals the sheer energy and commitment to hedonism and creative self-expression that characterised a generation of school-leavers who in the economic gloom of 1979 faced the threat of no jobs ever in their adult lives. The parallels with Britain’s protracted austerity today are obvious and we might hope the lessons of the 80s will again inspire the young to take their fate into their own hands.

TEN BENCHMARKS FROM THE SWINGING 80S

Andrew Ridgeley, George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open a Top of the Pops performance of Wham Rap! in another window … In the original music video (no longer viewable in the UK !!) “man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the video, pictured, by reading our landmark Face cover story on The Making of UK Club Culture, now reproduced at Shapers of the 80s. (Screengrab © Sony BMG)

➢ Read: 69 Dean Street and the making of UK club culture

Blitz Kids, No Sacrifice, Chenil gallery,Kim Bowen, Jeremy Healy, Stephen Jones, fashion, London

No Sacrifice was an alternative fashion show in 1980 organised by Iain R Webb and mounted for art-school refusés: outside Chelsea’s Chenil Gallery, Kim Bowen as ever sports a hat by Stephen Jones (right), Jeremy Healy at centre. Photographed © by Mick Hurd

➢ Who’s who among the Blitz Kids: 50 crucial nightclubbers who set the style for a decade

Terry Doktor , Carmel Johnson, Rhonda Paster, Axiom, fashion Underground club, Spandau Ballet, gig

New York 1981: Before Spandau Ballet introduced America to electro-diskow at Manhattan’s Underground club, the Axiom fashion cooperative staged a runway show of New Romantic outfits. Photographed by © Shapersofthe80s

➢ 1981, first Blitz invasion of the US by Spandau/Axiom

London,Sullivan,Dirt Box, Mud Club,Wag club,White Trash,Sallon,Nightlife ,The Face,Swinging 80s, clubbing

First published in The Face No 39, July 1983

➢ 1983, Who’s who in the new London nightlife boom

Seminal spread in i-D issue one: the straight-up style is established with one then unknown New Romantic and one punkette. Photographed on the King’s Road by Steve Johnston

Seminal spread in i-D issue one: the straight-up style is established with one then unknown New Romantic and one punkette. Photographed on the King’s Road in London by Steve Johnston

➢ 1980, ‘Your own i-D counts more than fashion’

Blitz club, London 1979, Iain Webb, Stephen Linard, 2010, Worried About the Boy, Boy George, Daniel Wallace,Douglas Booth,

Real Blitz Kids versus the TV version: George’s boyfriend Wilf and Stephen Linard in 1979 (picture, Andy Rosen)… Daniel Wallace as a Linard lookalike and Douglas Booth as Boy George in Worried About the Boy, 2010 (BBC)

➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the 2010 TV play about Boy George, Worried About the Boy

➢ 1983, Posing with a purpose at the Camden Palace

➢ Six rewrites punk history with an outlandish claim about the Not-Really-From-Bromley Contingent

➢ 1982, “Who?!” Peter Capaldi’s first interview (probably) as a green young stand-up

➢ 2014, Video gems unearthed by the Spandau Ballet biopic premiering at SXSW

➢ 2009 till now – Index of all posts at Shapers of the 80s

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2014 ➤ Who’s Hot and Not in Popjustice annual music awards

Popjustice Readers’ Poll, 2014, pop music, Sia,
◼ HOT HIGHLIGHTS from the annual Popjustice Readers’ Poll nail exactly who mattered on the UK music scene in 2014, plus frank verdicts on those acts you really want to see turned over. We’ve avoided too many spoilers here – mainly teasers to send you to PJ for the teeming madhouse of Joe P’s opinion. . .

BEST SINGLES OF THE YEAR

  1.  Sia – Chandelier
  2.  Charli XCX – Boom Clap
  3.  Taylor Swift – Shake It Off

[Full chart online at PJ, along with Worst Singles]

BEST ALBUMS OF THE YEAR

  1.  Taylor Swift – 1989
  2.  Sia – 1000 Forms of Fear
  3.  Ariana Grande – My Everything

[Full chart online at PJ, along with Worst Albums]

MAJOR ARTIST WITH DISAPPOINTING MUSIC MOST AT ODDS WITH ABILITY TO ACHIEVE BETTER

  1.  Cheryl
  2.  Calvin Harris
  3.  Lady Gaga
Popjustice Readers’ Poll, 2014, pop music, Jesse I, Only The Young,

Match these acts to the remaining awards

MORE IN SIMILAR INSOLENT VEIN, SUCH AS:

  • Worst attempt at a solo career. . . Most ridiculous recording artist. . . Had it, lost it in 2014. . . Most deluded artist. . . Total bellend of the year (a bit hard on Louis Walsh, this one)
  • Best deejay. . . Best TV show with music. . . Best video and Shoddiest video. . .
  • Best new act to properly get going in 2014. . . Newish act most likely to save pop in 2015. . . Act we should send to Eurovision in 2015
  • Group most likely to split in 2015 (no direction needed to guess the first in a list of ten).
  • Sickest beat of the year as good excuse to get Lorde mentioned. And many more to keep you smirking.
Popjustice Readers’ Poll, 2014, pop music, Sia,

Another contender, you choose the award

➢ 2014 Popjustice Readers’ Poll in full

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➤ It may be winter outside but here’s a feast of girl groups who put spring in our hearts

1974: Oo-oo-oooo-oo!

1961: But will my heart be broken?

1962: chugga chugga motion like a railroad train

1963: Shooby-dooby-dooby-dooby doo wah bah

1963: Da Doo Ron Ron

1964: Woh oh oh – the things he likes to doooooo

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1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A long-lost live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

24 NOV UPDATE FROM THE VAULT ♫ CHANGE ♫

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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