Category Archives: TV

1982 ➤ “Who?!” Peter Capaldi’s first interview (probably) as a green young stand-up

Peter Capaldi, 1980s, interview,audio, Spandau Ballet, Doctor Who, stand-up, comedy,

Capaldi learning the ropes as a comic: Live onstage supporting Spandau Ballet in 1982. (Photographed © by Shapersofthe80s)

Peter Capaldi, 1980s, interview,audio, Spandau Ballet, Doctor Who, TV, scifi, BBC,

Capaldi and screwdriver: the 12th in line as Doctor Who [BBC]

◼ “KIDS THREW ORANGES AND COINS at me in Brighton. It’s the first time I’ve tapped into that iceberg of sympathy.” Such was the welcome the 23-year-old Scot, Peter Capaldi, received on his first serious outing as a stand-up comedian supporting Spandau Ballet’s first national concert tour in 1982. I’d been bowled over by his high-octane act a week earlier in Manchester and now the tour was winding up in Bournemouth where I’d come for its Easter weekend finale. His energetic performance suggested an interview was going to be fun, and I’d snapped some onstage pictures that spookily presage an aspect of Capaldi that was to win a Bafta award later in his career.

So here we were in the Royal Exeter hotel talking about his lucky break earlier on the same tour – being spotted supporting Spandau’s Glasgow gig by film producer Bill Forsyth who also recognised talent writ large. One result was me resting my notebook on a thumping fat filmscript titled Local Hero, and the other was Capaldi admitting: “I’m terrified of starting this film – standing in front of a camera.”

Oh the irony. Tonight Peter Capaldi, now 56, stepped into the best role in British television to play the 12th Doctor Who – a rendering as fierce and dotty as any who went before. Today too I finally found my long-lost notes from the first interview he’d given as an unknown comic, plus the cassette tape of our very relaxed conversation about his days at Glasgow School of Art, singing with a local band, and his yen to try comedy, inspired by 1981’s nationwide tour by Rik Mayall and the Comic Strip team, who a year later leapt onto British television screens on Channel 4’s opening night.

Local Hero, 1983, Peter Capaldi, Burt Lancaster , Peter Riegert, movies, Bill Forsyth

Local Hero, 1983: Peter Capaldi with Burt Lancaster and Peter Riegert, a gentle Scottish comedy directed by Bill Forsyth

For Capaldi’s debut in autumn 1981, he had invented a dim character called Fraser Meaky after thinking “I can’t go onstage as myself!” but then Gary Kemp’s circle of Spandau friends, who did not want another band supporting their tour, asked him to be a comedy warm-up before the main event. Fraser was shed in favour of a much more frenetic onstage Capaldi wearing a distressed old showbiz tuxedo, the humour retuned to lampooning the ego maniacs in politics and pop.

Recently, he had been compering a Monday live band night at a Glasgow club. “I like fast clean idea jokes, like Steve Martin,” he said. “The trouble with Glasgow is that it’s a small audience and every time you play you face the same crowd so you have to invent new material. After three weeks I couldn’t think of any more jokes, so it fell through.” How he solved this dilemma was revealed as we spoke. More of the interview will follow soon, meanwhile listen to our chat.

AUDIO CLIP FROM OUR 1982 INTERVIEW:

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➢ Previously at Shapersofthe80s: How Clare Grogan’s pop entourage put Capaldi on the road, plus an audio track with his band The Dreamboys

➢ Catch Doctor Who series 8 on BBC iPlayer for two months

Doctor Who

Rare self-deprecation: Click pic to view Doctor gifs at thespoonmissioner

➢ Sept update: The new Doctor joins Denzel Washington and Gemma Arterton on BBC1’s Graham Norton Show, 26 Sept – Peter Capaldi’s debut alongside Jenna Coleman was the most watched Doctor Who opening episode in four years, with 9.2million UK viewers.

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This week: Culture Club’s first live show in 15 years

Culture Club, Mikey Craig ,pop music,Boy George,  Jon Moss ,Roy Hay,comeback,Edinburgh Castle, BBC1, TV, BBC Philharmonic Orchestra,MediaCityUK, Radio2,

Old faces, new photo: Culture Club’s Mikey Craig, Boy George, Jon Moss and Roy Hay stage their comeback at Edinburgh Castle on Saturday

❚ NOBODY HAS YET SAID whether we can expect to hear a track from Culture Club’s new album at this Saturday’s live concert on BBC1. The newly reformed 80s supergroup kick off their comeback among a dozen acts giving a spectacular two-hour concert, Live at Edinburgh Castle, before 8,000 people ahead of the opening ceremony of the Commonwealth Games in Glasgow.

The One Show’s Alex Jones will present a line-up of international acts, including Jessie J, Kaiser Chiefs, Culture Club, Smokey Robinson, Rizzle Kicks, Paloma Faith, Katherine Jenkins, Il Divo, One Republic, Alfie Boe, Ella Henderson, Pumeza and the BBC Scottish Symphony Orchestra – plus comedy from Bill Bailey.

This will be the first time the original members of Culture Club have performed together in 15 years. They are Boy George (lead vocals), Mikey Craig (bass guitar), Roy Hay (guitar and keyboards) and Jon Moss (drums and percussion). Time for three numbers is allotted, but not a dickybird yet has leaked out about what the band will play. The past couple of months have been spent in the studio rehearsing new tunes for their 11-date tour with Alison Moyet in December.

➢ Live at Edinburgh Castle starts at 8.30pm Saturday
on BBC1

➢ Buy tickets for Live at Edinburgh Castle, starting
at 7pm Saturday

➢ Previously at Shapersofthe80s: The Culture Club comeback begins

➢ Tickets are still available for Culture Club’s UK tour, December 1–15

➢ 11 Aug update: The newly reunited Culture Club will be broadcasting with the BBC Philharmonic Orchestra on BBC Radio 2 at 7.30pm from Salford’s MediaCityUK

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➤ Glasgow art school fire appeal launched by Edinburgh College of Art

Glasgow School of Art, fire, Charles Rennie Mackintosh,

Yesterday’s fire at Glasgow School of Art

Glasgow School of Art, fire, Charles Rennie Mackintosh,

Yesterday’s fire at Glasgow School of Art: snapped by Tweeter xdxxnx

Glasgow School of Art, fire, Charles Rennie Mackintosh,

Mackintosh was a 28-year-old junior draughtsman when he drew up plans for GSA, recently voted the best building of the past 175 years

➢ Firefighters battled yesterday to rescue Glasgow School of Art from a blaze that engulfed its iconic Charles Rennie Mackintosh-designed building:
Scottish Fire and Rescue Service crews are continuing work to fully extinguish the fire and save artworks. The fire service said more than 90% of the structure was viable and they had protected up to 70% of the contents… / See video at BBC News

➢ Saturday update by the GSA media centre:
Bad news first is that we have lost the iconic and unique Mackintosh library. This is an enormous blow and we are understandably devastated… Mackintosh was not famous for working in precious materials. It was his vision that was precious and we are confident that we can recreate what was lost as faithfully as possible.

Click any pic to launch slideshow


➢ GSA fire appeal launched by Edinburgh College of Art:
A report on BBC News at Ten carries footage but no further developments. The windows of the hen run are clearly badly damaged with mullions and transoms destroyed in places, but how badly will the Library have been damaged? … / Continued at GSA website

➢ The Glasgow School of Art photo gallery at Flickr

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➤ 40 years on from Abba, Austria fields a bearded drag artist for Eurovision

Tom Neuwirth, Conchita Wurst, Eurovision , sexuality, drag

Conchita aka Tom: a bearded lady in the Eurovision Song Contest in Copenhagen

❚ THE PRIVATE PERSON TOM NEUWIRTH was born in Austria in 1988 and the art personality Conchita Wurst in 2011, the same year Tom graduated from the Graz School of Fashion. In last night’s second semi-final of the Eurovision Song Contest, the bearded drag performer Conchita won her place to represent Austria in Saturday’s final by singing what could pass gloriously as a Bond theme, Rise Like a Phoenix.

The homophobic backlash could have been predicted from conservative nations such as Ukraine, Belarus and Russia where petitions have urged her removal from the competition. Russian politician Vitaly Milonov called her a “pervert” adding: “It is not normal but a person cannot be punished in Russia for being homosexual, or to live with a dog, with a horse, with a sheep, whatever.”

Ms Wurst answered her critics: “I can only say ‘Thank you for your attention’. If this is only about me and my person, I can live with it. I’m just a singer in a fabulous dress, with great hair and a beard.

“I created this bearded lady to show the world that you can do whatever you want,” she said at a press conference in Copenhagen. Although the German word Wurst routinely means “sausage”, its idiomatic meaning is “irrelevant” so signalling that Conchita’s sexuality is a non-issue. She makes a statement for tolerance and acceptance while 25-year-old Tom’s motto is: “Be the best version of yourself rather than a bad copy of someone else.”

➢ Conchita interviewed by Brendan O’Connor on the Irish Saturday Night Show

➢ Live video meet and greet with Conchita Wurst in Copenhagen: “Shoot for the moon. Even if you miss you’ll land among the stars. That’s the way I live”

➢ Ich will einen Grammy” – Conchita wird von deutschem Fernsehen auf dem roten Stuhl interviewt: “Ich bin in Kolumbien geboren, am Bogota. Ich wurde genannt meine Grossmutter, Conchita. Und Wurst, bei mein Vater natürlich Alfred Knack von Wurst”

BEFORE: TOM NEUWIRTH …

… AFTER: CONCHITA WURST

HOT UPDATE MAY 10 – CONCHITA WINS!!!

Tom Neuwirth, Conchita Wurst, Eurovision , sexuality

Conchita Wurst victorious: she was second favourite to win going into the contest (PA)

➢ BBC News reports: Austrian drag act Conchita Wurst has been crowned the winner of the 59th Eurovision Song Contest: “The singer, whose real name is Tom Neuwirth, won with the song Rise Like a Phoenix, collecting 290 points. The Netherlands finished second with 238 points, with Sweden in third place with 218 points. Wurst had been the second favourite to win behind Sweden going in to the competition, with many predicting the act could be too divisive among voters. However she was the clear winner, with her victory announced after 34 of the 37 countries had submitted their scores.”

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➤ Fab Abba, a far cry from the days of Ward-ahloo

❚ ON THE 40TH ANNIVERSARY of Abba winning the Eurovision song contest with their Waterloo wall of sound and their self-selected kitsch costumes from the age before stylists had been invented we celebrate how this deeply uncool Swedish group turned into a much-loved cult. From the vaults we’ve dug out The Sunday Times’s assessment of Abba published in its encyclopedic Abba-to-Zappa partwork 1000 Makers of Music in 1997 – the decade of Britpop in which they were suddenly rehabilitated by music’s opinion formers.

FROM 1000 MAKERS OF MUSIC, 1997

Abba, pop music, Eurovision

1000 Makers of Music: Abba assessed by The Sunday Times

Abba
Swedish, 1973-82, vocal group
As cheesy now as when they won the Eurovision song contest singing Waterloo, Abba embody a perennial contradiction: you may make the quintessential pop music of the decade but you must remain for ever a bad joke if that era proves as tasteless as the 1970s. Abba’s lovingly coupled foursome – the acme of glitz in their satins and flares – were derided because Benny Andersson and Björn Ulvaeus, as journeymen songsmiths, wrote singalong melodies epitomising Europe’s dreaded folkloric tradition. Worse, their sentimental lyrics about love and money – in English – nauseated purists who preferred Anglo-American guitar heroes who mouthed youthful dissent.

Yet Abba scored eight consecutive No 1 albums in Britain and 25 Top 40 singles so catchy that everybody can hum one. In 1992 Abba’s hits were revived ironically by Erasure and ingenuously by a tribute band called Björn Again. Today Abba enjoy cult status in Britain as new generations, numbed by the joylessness of techno, recycle yesteryear’s kitsch to discover ecstasy in pure pop.

Keywork: Knowing Me, Knowing You (1977)

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