Category Archives: TV

1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A rare live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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2014 ➤ Spandau Ballet’s world tour reunion updates

New Romantics, Blitz Kids, Heaven Club, London, Swinging 80s, Spandau Ballet

Spandau Ballet’s tenth live date: playing Heaven in London 1980. Photographed © by Shapersofthe80s

SCREENINGS OF THEIR SOUL BOYS BIO-PIC

pop music, George Hencken, Tony Hadley, Spandau Ballet, Soul Boys of the Western World, movie, biopic,New Romantics, Blitz Kids
✱ Read Shapersofthe80s’ review of the SBWW film and its UK premiere, plus European screening dates, Oct–Nov 2014

✱ Hello Down Under! Auckland NZ 2 Nov, Melbourne 5 Nov and Sydney 7 Nov for special Q&A screenings of SBWW, plus live performance in Melbourne

✱ Spandau’s first public appearance in NYC since 1983, plus US release of their new single This Is The Love, plus outdoor mini-concert in LA for their TV debut with Jimmy Kimmel 10 Nov… plus live performance on Fox’s Good Day Nov 13… Plus SBWW screening 15 Nov at SVA Theatre, premiere and band talk at Doc NYC

Spandau Ballet, Soul Boys of the Western World,

Hadley sings True: Spandau live at London’s Albert Hall, 2014. Photographed © by Shapersofthe80s

➢ SPANDAU’S 2015 LIVE TOUR DATES IN ONE LIST

✱ North America tickets on sale 14 Nov from San Francisco 23 Jan to Red Bank NY 10 Feb and in between LA, Denver, Chicago, Detroit, Toronto, Boston, NYC, Westbury, Washington DC . . . Extra concert added 24 Jan at The Wiltern in Los Angeles

✱ Now on sale: tickets for 13 dates 3–19 March in Spandau Ballet’s live UK tour 2015, kicking off 3 March from Dublin in the land of music, now taking in TWO London dates at O2 Arena 17–18 March, and ending in Brummie Duran-land

First dates on live European tour 2015: Amsterdam 21 March, Luxembourg 22 March, Italy 24–30 March (Assago, Torino, Padova, Firenze, Roma), Germany 16–22 April (Leipzig, Hamburg, Dusseldorf, Berlin, Frankfurt and Munich)

✱ Down under: Auckland, NZ 10 May tickets on sale 20 Nov… Oz on sale Nov 12: Spandau’s Australia concert tour 2015 kicks off in Brisbane 13 May, playing also Sydney, Melbourne and Perth

✱ Weekly: Big Tone’s party show Saturdays 7–9pm GMT on Absolute 80s Radio, on air and online

➢ First US review of the new single This Is the Love at Billboard: “Thirty years after Spandau Ballet’s last U.S. single, the British new-wave quintet brings back everything that made it danceable on This Is the Love, touting a thick sax, Tony Hadley’s syrup-and-silk delivery and poppy drum work. The twist? There’s also a James Bond theme vibe mixed in.” – Andrew Flanagan … 8 Nov Martin Kemp tweets: “Billboard single of the week in the U.S.”

SPANDAU INTERVIEWED IN NEW ZEALAND, 2 NOV


➢ Or, read a transcription of the above interview with New Zealand’s arts website, The 13th Floor – Here’s Tony Hadley on how life was different when he was a teenager: “The 80s was probably the last innocent decade in a kind of weird way, pretty primitive, you know. In Britain we had three TV channels. As a young person, you had music and you had fashion. So everything was pretty tribal and we’ve always been like that in Britain anyway, with the Mods, the Rockers, psychedelia, punk. So you picked your tribe and the kind of music you wanted to be associated with and that was it – it was just a simple time. We’ve now entered into a period where social media and connectivity around the world is unprecedented, incredible. So as a young person, you don’t necessarily need just fashion and just music. It’s a very different world we live in.”

➢ 1980: Read the epic story of Spandau Ballet, the Blitz Kids and the birth of the New Romantics at The Observer

➢ Official Spandau Ballet website

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➤ Catch up on New Romantic landmarks reported here at Shapers of the 80s

Andrew Ridgeley,George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open the Wham Rap! video in another window … “Man or mouse” Andrew Ridgeley establishes his clubbing credentials – along with sidekick George Michael – in the opening shots of the Wham! video by reading this very Face cover story on Club Culture that you’re about to read!

THE MOST READ FEATURE ARTICLE AMONG 890,000 VIEWS SINCE THE LAUNCH OF SHAPERS OF THE 80s

➢ 1983, The Making of UK Club Culture — Definitive Face cover story by yours truly being read here in the Wham Rap! video. This account of how London nightlife had become an international magnet was first published as “an upstairs‑downstairs tale of two key nightspots” in The Face No 34 in February 1983. Photography © by Derek Ridgers. Reprinted in The Faber Book of Pop, 1995; and in Night Fever, Boxtree, 1997

69 Dean Street, Soho, club culture, The Face magazine, London, 1980s, clubbing, nightlife,Billys, Gargoyle,Red Studio,Blitz Kids

From The Face, February 1983

THE ORIGINAL HISTORY OF THE BLITZ KIDS

The Observer Music Magazine. Pictures © by Derek Ridgers

The Observer Music Magazine, Oct 4, 2009. Pictures © by Derek Ridgers

➢ Spandau Ballet, the Blitz Kids and the birth of the New Romantics — This much-recycled account originally penned by Shapers of the 80s tells who did what to make stars out of a club houseband, change the rhythm of the UK charts — and ultimately rejuvenate the British media. The obsessive fashionistas behind one small club in London in 1980 went on to dominate the international landscape of pop and fashion, while putting more British acts into the US Billboard charts than the 1960s ever achieved. Spandau Ballet songwriter Gary Kemp responded: “A superb piece. It will be referred to historically.”

EARLY 80s REPORTS REVISITED

➢ How three wizards met at the same crossroad in time — an inside scene-setter on the forces shaping the Swinging Eighties

➢ 1980, Strange days, strange nights, strange people: at The Blitz a decade dawns

➢ 1980, One week in the private worlds of the new young: London blazes with creativity

➢ 1980, Shapersofthe80s tells how Duran Duran’s road to stardom began in the Studio 54 of Birmingham, UK

➢ 1981, Birth of Duran’s Planet Earth … when other people’s faith put the Brummies into the charts

Romance blossoms: Drummer Jon Moss gives George O’Dowd a peck at Planets club in July 1981 way before their band Culture Club existed. Photographed © by Shapersofthe80s

➢ Three key men in Boy George’s life – In 2010 the BBC turned the pop star’s teens ’n’ twenties into a 90-minute drama of foot-stamping, chair-throwing, cry-baby tantrums over his self-confessed “dysfunctional romances”, all of which he had documented in his eye-wateringly frank 1995 autobiography, Take It Like a Man. Shapers of the 80s summarises George O’Dowd’s stormy lovelife.

➢ Ex-Blitz Kids give their verdicts on the TV drama Worried About the Boy – During and after this heavily fictionalised life story was broadcast in 2010, Shapers of the 80s canvassed this authoritative mixture of opinions on the Boy George myth and in doing so reshaped the accepted clichés about the Blitz Kids.

Chris Sullivan, club-host, deejay, Wag club, Blue Rondo, pop music,We Can Be Heroes, youth culture,

At home in Kentish Town Chris Sullivan chooses the right zootsuit for today’s mood: his wardrobe is legendary, his taste impeccable, and his influence immeasurable. Shapersofthe80s shot this for his first Evening Standard interview in June 1981

➢ 1976–1984, How creative clubbing started and ended with the 80s – “We were all kids,” says Chris Sullivan who would eventually run the Wag, the coolest club in town, for 19 years. “We went out and had a go. Empowerment is what’s important about this story.”

Photocall: Spandau Ballet, Richard Burgess and assorted Blitz Kid designers gather for the press conference before their fashion-and-music shows in New York. Yes that is Sade towards the far right. Photograph © by Shapersofthe80s

➢ 1981, First Blitz invasion of the US – 21 Blitz Kids take Manhattan by storm with a fresh fashion show and the live new sound of London. Eye-witness words and pix by Shapers of the 80s

ROMANTIC REVIVAL OF THE NOUGHTIES

Sade  1983

Wow! Then and now: Sade backstage in August 1983 while still seeking a recording contract and, right, as shot to launch her 2010 album. Vintage picture © by Shapersofthe80s

➢ 2010, Shapers of the 80s finds comeback Shard comfy as ‘Auntie Sade’ – Having wowed the 80s clubbing scene, in 2011 Sade’s band won a Grammy award for Best R&B Performance By A Group.

➢ 2009, Onstage, Spandau Ballet’s Hadley and Kemp finally get huggy in a mighty musical Reformation – Shapers of the 80s follows the reunion of the band who wrote the new rules for pop in the Swinging 80s.

WE ARE ALL BOWIE’S CHILDREN NOW

David Bowie, Starman, 1972, Top of the Pops, tipping point, BBC

The moment the earth tilted July 6, 1972: During Starman on Top of the Pops, David Bowie drapes his arm around the shoulder of Mick Ronson. Video © BBC

➢ 40 years since “I picked on you-oo-oo”! July 6, 1972 saw the seminal pop moment — David Bowie’s first appearance on Top of the Pops as Ziggy Stardust, the day he created the next generation of popstar wannabes

➢ Where to draw a line between glitter and glam – defining what separates Slade from Bowie, the naff blokes in Bacofoil from starmen with pretensions

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1982 ➤ “Who?!” Peter Capaldi’s first interview (probably) as a green young stand-up

Peter Capaldi, 1980s, interview,audio, Spandau Ballet, Doctor Who, stand-up, comedy,

Capaldi learning the ropes as a comic: Live onstage supporting Spandau Ballet in 1982. (Photographed © by Shapersofthe80s)

Peter Capaldi, 1980s, interview,audio, Spandau Ballet, Doctor Who, TV, scifi, BBC,

Capaldi and screwdriver: the 12th in line as Doctor Who [BBC]

◼ “KIDS THREW ORANGES AND COINS at me in Brighton. It’s the first time I’ve tapped into that iceberg of sympathy.” Such was the welcome the 23-year-old Scot, Peter Capaldi, received on his first serious outing as a stand-up comedian supporting Spandau Ballet’s first national concert tour in 1982. I’d been bowled over by his high-octane act a week earlier in Manchester and now the tour was winding up in Bournemouth where I’d come for its Easter weekend finale. His energetic performance suggested an interview was going to be fun, and I’d snapped some onstage pictures that spookily presage an aspect of Capaldi that was to win a Bafta award later in his career.

So here we were in the Royal Exeter hotel talking about his lucky break earlier on the same tour – being spotted supporting Spandau’s Glasgow gig by film producer Bill Forsyth who also recognised talent writ large. One result was me resting my notebook on a thumping fat filmscript titled Local Hero, and the other was Capaldi admitting: “I’m terrified of starting this film – standing in front of a camera.”

Oh the irony. Tonight Peter Capaldi, now 56, stepped into the best role in British television to play the 12th Doctor Who – a rendering as fierce and dotty as any who went before. Today too I finally found my long-lost notes from the first interview he’d given as an unknown comic, plus the cassette tape of our very relaxed conversation about his days at Glasgow School of Art, singing with a local band, and his yen to try comedy, inspired by 1981’s nationwide tour by Rik Mayall and the Comic Strip team, who a year later leapt onto British television screens on Channel 4’s opening night.

Local Hero, 1983, Peter Capaldi, Burt Lancaster , Peter Riegert, movies, Bill Forsyth

Local Hero, 1983: Peter Capaldi with Burt Lancaster and Peter Riegert, a gentle Scottish comedy directed by Bill Forsyth

For Capaldi’s debut in autumn 1981, he had invented a dim character called Fraser Meaky after thinking “I can’t go onstage as myself!” but then Gary Kemp’s circle of Spandau friends, who did not want another band supporting their tour, asked him to be a comedy warm-up before the main event. Fraser was shed in favour of a much more frenetic onstage Capaldi wearing a distressed old showbiz tuxedo, the humour retuned to lampooning the ego maniacs in politics and pop.

Recently, he had been compering a Monday live band night at a Glasgow club. “I like fast clean idea jokes, like Steve Martin,” he said. “The trouble with Glasgow is that it’s a small audience and every time you play you face the same crowd so you have to invent new material. After three weeks I couldn’t think of any more jokes, so it fell through.” How he solved this dilemma was revealed as we spoke. More of the interview will follow soon, meanwhile listen to our chat.

AUDIO CLIP FROM OUR 1982 INTERVIEW:

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➢ Previously at Shapersofthe80s: How Clare Grogan’s pop entourage put Capaldi on the road, plus an audio track with his band The Dreamboys

➢ Catch Doctor Who series 8 on BBC iPlayer for two months

Doctor Who

Rare self-deprecation: Click pic to view Doctor gifs at thespoonmissioner

➢ Sept update: The new Doctor joins Denzel Washington and Gemma Arterton on BBC1’s Graham Norton Show, 26 Sept – Peter Capaldi’s debut alongside Jenna Coleman was the most watched Doctor Who opening episode in four years, with 9.2million UK viewers.

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This week: Culture Club’s first live show in 15 years

Culture Club, Mikey Craig ,pop music,Boy George,  Jon Moss ,Roy Hay,comeback,Edinburgh Castle, BBC1, TV, BBC Philharmonic Orchestra,MediaCityUK, Radio2,

Old faces, new photo: Culture Club’s Mikey Craig, Boy George, Jon Moss and Roy Hay stage their comeback at Edinburgh Castle on Saturday

❚ NOBODY HAS YET SAID whether we can expect to hear a track from Culture Club’s new album at this Saturday’s live concert on BBC1. The newly reformed 80s supergroup kick off their comeback among a dozen acts giving a spectacular two-hour concert, Live at Edinburgh Castle, before 8,000 people ahead of the opening ceremony of the Commonwealth Games in Glasgow.

The One Show’s Alex Jones will present a line-up of international acts, including Jessie J, Kaiser Chiefs, Culture Club, Smokey Robinson, Rizzle Kicks, Paloma Faith, Katherine Jenkins, Il Divo, One Republic, Alfie Boe, Ella Henderson, Pumeza and the BBC Scottish Symphony Orchestra – plus comedy from Bill Bailey.

This will be the first time the original members of Culture Club have performed together in 15 years. They are Boy George (lead vocals), Mikey Craig (bass guitar), Roy Hay (guitar and keyboards) and Jon Moss (drums and percussion). Time for three numbers is allotted, but not a dickybird yet has leaked out about what the band will play. The past couple of months have been spent in the studio rehearsing new tunes for their 11-date tour with Alison Moyet in December.

➢ Live at Edinburgh Castle starts at 8.30pm Saturday
on BBC1

➢ Buy tickets for Live at Edinburgh Castle, starting
at 7pm Saturday

➢ Previously at Shapersofthe80s: The Culture Club comeback begins

➢ Tickets are still available for Culture Club’s UK tour, December 1–15

➢ 11 Aug update: The newly reunited Culture Club will be broadcasting with the BBC Philharmonic Orchestra on BBC Radio 2 at 7.30pm from Salford’s MediaCityUK

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