❚ SEE HOW PLANET EARTH IS BLUE! Wow how the stars look very different today, rising in the black void! Thrill to the International Space Station whizzing over clouds in a most spectacular way! Here’s a video made by a station commander, sitting in his tin can singing the defining Bowie hit from 1969, the year man went to the Moon. What a way to inspire new generations of would-be space explorers, sung 230 miles above the earth by one of the latest successors to Major Tom.
Last night, this wondrous HD video cover version of David Bowie’s Space Oddity was posted on YouTube by Commander Chris Hadfield on board the space station, which is the largest artificial body in orbit. Viewed at full-screen, its pin-sharp photography combines poetry and awe and speed and perspective and human scale more honestly than any special-effects movie. Seeing stars rise over a black horizon fixed in their constellations itself fixes the vehicle firmly in the firmament of space, while beneath the Great Big World Keeps On Turning. This alone is a magical moment of unparalleled apprehension.
“With deference to the genius of David Bowie, here is Space Oddity, recorded on Station,” he tweeted. “A last glimpse of the World.” Overnight his personal post has clocked a million views, quite apart from scores of other media postings. It was Hadfield’s parting act for the digital media on the eve of his return to Earth today after nearly five months in zero-gravity. And Bowie replied with the tweet “Hallo spaceboy”.
Commander Chris, a former Royal Canadian Air Force fighter pilot, was the first Canadian astronaut to walk in space. On December 19, he took off for a long-duration stay on board the ISS as part of Expedition 35. He is the first Canadian to command the space station and its six staff. And now, as the song goes, it’s time to leave the capsule …
CLICK ANY PIC TO LAUNCH CAROUSEL:
Video stills courtesy of Canadian Space Agency/Chris Hadfield/EMI/Mercury Records
❚ TO COMMEMORATE THE 20TH ANNIVERSARY of the web being made available free to all, the international physics laboratory CERN has recreated the world’s first website and posted it today, at its original address and this is it – http://info.cern.ch/hypertext/WWW/TheProject.html The home page provided an explanation of what the world wide web was, and how to use a browser and set up a web server.
The British computer scientist Tim Berners-Lee proposed an information management system in 1989 and had a working version of the web in Dec 1990. The first website built was at CERN within the borders of France and went online on August 6, 1991, but by 1993 some user groups were positioning themselves to try to monopolise the web as a commercial platform. So on April 30, 1993, CERN announced that the world wide web would be free to anyone, with no fees due.
The web’s first home page: click on the image to visit the site at CERN
➢ The World Wide Web Became Free 20 Years Ago Today – By Mark Fischetti, senior editor at Scientific American: “ You and I can access billions of web pages, post blogs, write code for our own killer apps – in short, do anything we want on the web – all free! And we’ve enjoyed free reign because 20 years ago, today, web inventor Tim Berners-Lee and his employer, the CERN physics lab in Geneva, published a statement that made the nascent “world wide web” technology available to every person, company and institution without royalty or restriction … ” / Continued online
Tim Berners-Lee at the Olympics opening ceremony (Photo: Getty)
❏ The internet is a global computer system that provides information and communication facilities, consisting of interconnected networks using standardised communication protocols. In contrast, the web is one of the services that runs on the internet. It is a collection of text documents and other resources, linked by hyperlinks and URLs (addresses), usually accessed through web browsers from web servers. A browser is a so-called “graphical user interface” which simply means an accessible visual entry point into the arcane world of computer coding. Mosaic is the web browser credited with popularising the world wide web and today most popular browsers (Google Chrome, Internet Explorer, Mozilla Firefox) retain the characteristics of the original Mosaic.
In July 2012 Tim Berners-Lee was honoured as the “Inventor of the world wide web” during the Olympics opening ceremony in London where he appeared in person, working at a NeXT computer, the model on which he worked at CERN in 1989. He tweeted the message: “This is for everyone.”
The mighty tweet: Tim Berners-Lee’s message to the world at the Olympics
➢ CERN’s original Public Domain document of April 30, 1993: “CERN’s decision to make the web foundations and protocols available on a royalty free basis, and without additional impediments, was crucial to the web’s existence. Without this commitment, the enormous individual and corporate investment in web technology simply would never have happened, and we wouldn’t have the web today.” – Tim Berners-Lee, Director, WWW Consortium
➢ Faster two-thumb typing devised by the Max Planck Institute: “ The research team of Antti Oulasvirta at the Max Planck Institute for Informatics has created a new keyboard called KALQ that enables faster thumb-typing on touchscreen devices. They used computational optimization techniques in conjunction with a model of thumb movement to search among millions of potential layouts before identifying one that yields superior performance. A user study confirmed that, after a short amount of practice, users could type 34% faster than they could with a QWERTY layout… ” / Continued at the Max Planck Institute
The first room at the V&A exhibition gives this glimpse of a pre-Bowie Davie Jones, aged 18, possibly filmed in Tin Pan Alley, London, in 1965… Click on pic to read the full story by Shapersofthe80s and view the home movie discovered in 2011
The V&A’s new exhibition David Bowie Is: “a grand stage for an inspirational artist who reshaped a generation”
MAR 20: PROFESSOR OF FASHION IAIN R WEBB
ON THE OPENING PARTY
❏ Just spent a blissed out evening at the V&A David Bowie is exhibition. It blew my mind! It is indeed a remarkable show… and to see all those pretty things that I’ve looked at in photos over and over again over the years is something akin to a religious experience… Not only is the clever curation of memorabilia and associated artefacts an inspiration (a lipstick stained tissue anyone?) but I got to personally thank both Mr Mick Rock and Mr Kansai Yamamoto for their wondrous workloads that helped transport me from village idiot to le freak! As the post-show party relocated from the V&A museum to The Rembrandt hotel across the road, the assembled fashion freaks, who also included fashion writer Judith Watt and costume designer Fiona Dealey, went crazy when Mr Yamamoto, who was responsible for many of Bowie’s flamboyant stage designs, entered. The fervour that greeted the legendary designer was akin to the Bowie-mania witnessed earlier in the evening when guests queued around the block to attend the private view.
“ In the opening room of the V&A’s new exhibition David Bowie Is, there is a four-second clip of film of a 17-year-old Bowie striding through the streets of Soho. The sun is shining, and as he catches sight of the camera he turns his bright blond head and smiles before vanishing from sight. The film was found on an old Super 8 camera. The amateur cameraman had been filming his wife in the Soho sunlight; it was quite by chance that he caught the nascent superstar. What is extraordinary is how, even then, Bowie behaves like the idol he was to become. If a camera is running, it must want to catch him in its lens. The mystery of David Bowie, the confidence that inspired a quiet boy from Bromley to become one of the most significant artists of his generation, hangs quietly over this entire show…
“ Geoffrey Marsh, a co-curator, says he is the first musical figure to be examined on such a scale: “This museum was set up to show how art and design work, to reveal the process. Although there have been a huge number of books about Bowie, they are by rock journalists and may not be of interest to the general public. The reason he is interesting is that he is more than a rock star”…
“ All the exhibits, presented using cutting-edge technology by – among others – the team behind the video projection at the opening ceremony of the Olympic Games, add to that sense of a fertile intelligence, changing constantly, shaping the world. You can see how firmly Bowie was in charge of everything he did.
“ The sheer grandeur [of the final room] brought tears to my eyes. I felt as I felt when I first saw Bowie live – simply glad to be in the same building as a man who could make music like this… ” / Full review at Telegraph online
➢ David Bowie is a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11.
Snowy Bowie, March 20: The Next Day debuts at #1 on charts in 12 countries and tops iTunes charts in 60. This week’s photo by Jimmy King
+++V&A video trailer for the new exhibition, David Bowie is
➢ David Bowie is the enigmatic title of a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11. Appropriately, this week his first album in ten years, The Next Day, sits at No 1 in the Official UK Album Chart. It’s his ninth UK No 1 album (though spookily neither of his recent singles releases is anywhere near the singles chart). Before the V&A show launches, ticket sales exceed 42,000, more than double the advance sales of previous exhibitions at the museum. A few tickets are still available by booking online, in person in Kensington, or by phone +44 (0)20 7907 7073.
FROM THE BOWIE COMMENTARIAT
➢ David Bowie, the Return – Tony Parsons, Miranda Sawyer and La Roux’s Elly Jackson discuss Bowie’s music and influence for Radio 4’s Front Row (broadcast March 7, available on iPlayer for a year). Presenter John Wilson is guided through the V&A exhibits by the show’s curators Victoria Broackes and Geoffrey Marsh.
➢ The Duffy Collection of iconic Bowie images – which include three of his most famous album covers – goes on display May 2–June 4 at the White Cloth Gallery in Leeds LS1 4HT. The show documents Duffy’s special relationship with Bowie over ten years.
“ Jon Abbott at graphic design studio Barnbrook said of the book David Bowie Is: “We wanted to create an engaging pop-object for an audience who have come to expect the unconventional” … The book’s body typeface, Priori Serif, is one from Jonathan Barnbrook’s own foundry, Virus Fonts. Drawn by Jonathan Barnbrook and Marcus Leis Allion, the typeface was influenced by British typographers Gill and Johnston, and fittingly it found one of its first outings on the cover of Bowie’s 2002 album, Heathen … ” / Continued at Creative Review
➢ The day that lightning struck Aladdin – In 1973, Celia Philo directed the photo shoot for David Bowie’s album Aladdin Sane. The result was one of the most iconic images ever created. She talks to Stylist magazine, 2013:
“ Sometimes, when you’re doing something that you know is going to be good, it’s because it’s come from an extreme end of the spectrum of experience: either it’s incredibly hard work, or it comes together almost effortlessly. The photographic shoot for the cover of Aladdin Sane happened like magic. Its success was the result of a lucky collaboration of people … ” / Celia Philo, continued at Stylist
Setting out as Swinging 60s Mod: Bowie promo shot in 1966 for his first single on Pye, Can’t Help Thinking About Me, with his band The Lower Third which included producer Tony Hatch on piano. The NME decided: “Absorbing melody, weakish tune”
➢ Iain R Webb: How David Bowie liberated my wardrobe – As a 14-year-old boy living in a West Country village, Webb, the former Blitz Kid and fashion editor and now RCA professor, thought David Bowie’s style statements were a gift. And so have generations of fashion designers. Read feature in The Independent, March 16, 2013:
“ Bowie’s influence on my life has been major, from the fundamental desire to never be labelled or pigeonholed to my profound love of glitter and penchant for a spikey haircut. And I am not alone … ” / Iain R Webb, continued at The Independent
➢ Glam! The Performance of Style (Feb 8–May 12) is a seriously well-curated multi-media show at Tate Liverpool surveying the 1971–75 phenomenon on both sides of the Atlantic, across the whole spectrum of painting, sculpture, installation art, film, photography and performance. The in-depth survey comes in two halves, drawing a clear distinction between the playful subversion of pop music and fashion that characterised the British glam wave, and the American, which was driven much more profoundly by gender politics. Well worth a daytrip to Liverpool.
Berlin 1976: Bowie with moustache, Tony Visconti and assistant engineer, Edu Meyer, taken in the control room of Hansa Studios by Meyer’s wife, Barbara
♫ BBC Radio 6Music celebrates the life and work of David Bowie throughout Easter week, March 25–31. Gems from the archive feature concerts and interviews which have not been heard in 30 years.
♫ 2013, Shock and awe verdicts – Shapersofthe80s rounds up critical opinion on Bowie’s born-again single Where Are We Now? and the masterful new album The Next Day – “beautiful, obsessive and deliciously cruel”.
♫ News of special vinyl release at Bowie’s website – His second 2013 single, The Stars, is scheduled for a limited edition vinyl 7inch 45 Record Store Day release on April 20. Backed with Where Are We Now?
❏ Music video for the 1979 song DJ (above) sees Bowie sporting a pink onesie dungaree outfit designed by Willy Brown and walking through London streets being snogged by fans, both boys and girls.
MORE INTERESTING THAN MOST PEOPLE’S FANTASIES — THE SWINGING EIGHTIES 1978-1984
They didn’t call themselves New Romantics, or the Blitz Kids – but other people did
“I’d find people at the Blitz who were possible only in my imagination. But they were real” — Stephen Jones, hatmaker, 1983. (Illustration courtesy Iain R Webb)
“The truth about those Blitz club people was more interesting than most people’s fantasies” — Steve Dagger, pop group manager, 1983
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➢ THE BLOG POSTS on this front page report topical updates ➢ ROLL OVER THE MENU AT TOP to go deeper into the past ➢ FOR NEWS & MONTH BY MONTH SEARCH, see the sidebar below ➢ WELCOME to the Swinging 80s
Judi at Spandau’s 1981 Sundown show, pictured by Shapersofthe80s
David Bowie spotted Steve Strange, of 1980s group Visage, wearing one of Judith Frankland’s creations, a black wedding dress, and asked if he could use it in his video. Judi says now: “Steve and I became firm friends. The Blitz was the place to be seen. It wasn’t big and could only hold 200 people, but you could never be too outrageous and only the wildly dressed got in. Those who stood around never met anyone… I can’t remember going to *meet* men in the Blitz. In purple, black and white make-up you felt like death anyway.”
NEWS — OLD FACES, NEW MIXES FOR THE 20-TEENS
✱ Grizzly new video from Bowie as a mad prophet for his album’s title track, The Next Day. Parental guidance advised for explicit content – and have smelling salts at the ready!
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✱ The “Face of 68” supergroup guitarist and songwriter Peter Frampton follows his album Thank You Mr Churchill with a rare UK concert at London’s Camden Roundhouse on Nov 5. Tickets at kililive
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✱ i-D 325 The Time Is Now Issue gives one of its May covers to Sudanese supermodel raised in Kansas City, Grace Bol, here photographed by William Baker. Other options feature 19-year-old American model Lily McMenamy, Xiao Wen Ju and The Great Gatsby
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✱ Dazed & Confused gangs up with post-punk priestesses Savages, Chicago drill rappers, Rick Owens’ extended family and Genesis P-Orridge on NYC’s IRL crew in its Tribes issue for May. Plus the anti-yuppy brigades reclaiming south east London
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✱ The former Spandau Ballet vocalist Tony Hadley will be on Twitter for his True 30th anniversary live Q&A on Tuesday May 21 at 8pm BST ... Tickets are on sale for three concerts by Tony Hadley backed by the Southbank Sinfonia Orchestra conducted by Anne Dudley, Oct 13, 15, 16 ... Catch Big Tone’s party show Saturdays 7–9pm BST on Absolute 80s Radio
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✱ “If it moves, funk it.” Catch the global webcast weekly, more than 150 shows since the re-launch of Jazz FM in October 2008 — Robbie Vincent’s Essential Rhythms from the pioneering 70s & 80s deejay every Sunday 10am–1pm BST... This week our Sunday long one visits Brazil and we have three truly brilliant tracks from the Isley Brothers proving that music is more powerful than politics... Retune digital radios in the UK to find National Jazzfm on radio & on TV or listen
live online and later on demand at Jazzfm.com ... Shapersofthe80s tells how Robbie influenced the shape of British musical taste in his 35 years as master of hot cuts
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✱ The two big UK Rewind Festivals unite 24 acts at Rewind in Perth (July 26–28) ... and another 24 acts for Rewind at Henley-on-Thames (Aug 16–18)
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✱ Remake Remodel claims to be “The Nation’s Saving Grace of Alternative, Rock’n’Roll” — pure indie every Monday at South nightclub, Manchester M2 6DQ ... Every Tuesday, all new Student House pushes cutting-edge house music through South’s renowned Funktion One sound system
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✱ Blacklight every Weds, Stonelove every Sat at Factory251 – house, RnB, hiphop, Rock n Roll, Soul and indie disko over three floors designed by Ben Kelly ... At Princess St Manchester, a programme of clubnights and live bands
160,000 VISITS PER YEAR
◆ At Dec 31 WordPress recorded 538,000 views since Shapers of the 80s launched in autumn 2009, then in March 2013 Revolver Maps reported 319,207 visits to Shapers of the 80s during the previous two years in global statistics measuring hits from 199 countries
Shapers of the 80s “invaluable”
◆ Shapersofthe80s is declared an “invaluable website” by historian Dominic Sandbrook, author of the rich new cultural analysis, Seasons in the Sun: The Battle for Britain, 1974–1979. We report how Sandbrook gives generous credit to key influencers on youth culture. His unstuffy combination of high and low life energised the BBC2 series The Seventies aired in 2012
◆ Elsewhere at Shapers of the 80s, telly don Simon Schama succinctly expresses why we should document the “irreverent freedom” that is a special aspect of life in Britain
Cubism cubed!
◆ From May 23, New York’s Whitney Museum is to show a video installation entitled The Jugglers (below) by David Hockney, shot by 18 HD video cameras and screened in one mighty panorama... Hockney spent last summer on the country roads of Yorkshire videoing more of the eye-popping series of “cubistic” multi-screen movies that concluded his Royal Academy show in London — and which he proposed to Shapersofthe80s in his 1983 landmark interview when he revealed “Suddenly I see cubism differently, more clearly”. Read it inside, along with his latest adventures on an iPad
◆ Tony Hadley at Facebook: “My wife and I are pleased to announce the safe arrival of our beautiful baby daughter born on February 6, 2012” ... But for Spandau, Tony dropped another bombshell on ITV’s Loose Women on May 16
Archive — Many publication dates are arbitrary, so click and take pot luck!
CLICK TO SEE WHO’S ONLINE
❖ Welcome to our latest visitors from 198 countries and dependencies — not forgetting our visitor in the world’s southernmost city, Ushuaia in Tierra del Fuego, Argentina (54°48′S, 68°18′W), only a smidgeon further south than our readers in Río Grande and Punta Arenas... Our northernmost visitor lives at Hammerfest in Norway (70°39′N, 23°40′E), a nudge nearer the Pole than others in Finnmark, and at Murmansk in Russia (68°58′N, 33°05′E). A special Hello to our one visitor in Greenland!
KEY PHOTOGRAPHERS ON THE SCENE
My gratitude to the photographers who have generously permitted use of their images at Shapersofthe80s, because who would believe the preposterous story of the Blitz scene without the supporting pictorial evidence? These are the people whose lenses first caught the magic, and more subcultural images from the 1980s can be found at their own online galleries ❂ Neil Matthews ❂ Denis O’Regan ❂ Andy Rosen ❂ Homer Sykes ❂ Virginia Turbett ❂ Special thanks to:
