Category Archives: Pop music

1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A rare live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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➤ Celebrating Midge Ure: the big-hearted old poser behind Band Aid

 Band Aid 30, pop music, recording, Midge Ure

Band Aid 30: Midge Ure yesterday conducting the artists for a new version of the song Do They Know It’s Christmas? Photograph: Band Aid Trust/Brian Aris/Camera Press

◼ TODAY AT 8pm ON THE X-FACTOR BAND AID 30 airs the fourth version of its pop smash hit, Do They Know It’s Christmas? So let’s remember the lifelong contribution of the quietest man in pop, Midge Ure, who is the true brains behind the charity project. As Bob Geldof described him on This Is Your Life: “He’s a great guy, hilariously funny though you wouldn’t know it from his old New Romantic posing. He’s got a great heart and is a great all-round good bloke.”

➢ Previously at Shapersofthe80s: 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: How Midge Ure helped shape the British New Wave

Midge: “There’s no doubt the early 80s was a golden age of music made by real popstars who created themselves. It was more than just padded shoulders and asymmetrical haircuts. It was a pivotal moment in our cultural history when new tech mixed with new ideas to create something really good. All in the pressure cooker environment that was the Blitz club”

Rusty Egan, Steve Strange, Midge Ure, Visage, synth-pop, new wave, electro-pop,Band Aid, Rocking the Blitz,BBC

Visage Mk 1: Rusty Egan, Steve Strange and Midge Ure in 1978 searching for sounds and styles

UPDATE: BAND AID 30 MUSIC VIDEO – PG ADVISED

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➤ How Marilyn lost a million and ended up on benefits

Peter Robinson, Marilyn, Blitz Kids, Planets, clubbing,

Marilyn at Planets club, 1981: Peter Robinson lived his life as the Hollywood legend. Photograph by © Shapersofthe80s

➢ Band Aid star Marilyn reveals all
in today’s Daily Mirror:

The original Band Aid charity record for Christmas 1984 brought together pop stars who would go on to dominate the charts and become superstars and millionaires. And then there was Marilyn, whose first hit Calling Your Name had reached No 4 in 1983. The girlishly beautiful singer, real name Peter Robinson, was once inseparable from Culture Club star Boy George. He stood out from the likes of Duran Duran, Phil Collins, and Paul Weller with his yellow tracksuit and long bleach-blond hair. And within a few years he had fallen into obscurity.

“After Band Aid lots of things went wrong in my life and I had a nervous breakdown,” he says today, aged 52. “I started smoking heroin and taking shedloads of prescription drugs. I moved into my mum’s house and basically spent 20 years on heroin . . . / Robinson talks about his obsession with Marilyn Monroe and more at Mirror online

➢ Previously at Shapersofthe80s: Three key men in Boy George’s life, but why has TV changed some of the names?

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➤ Forsooth, Master Bowie, what art thou banging on about?

David Bowie, single, ’Tis Pity She’s a Whore, vorticism, music

The next Bowie: Click on image to hear audio of his single ’Tis Pity She’s a Whore

◼ BOWIE IS BACK IN BAFFLER MODE. A new single released today derives its name from an English Restoration drama on the theme of incest. In John Ford’s play ’Tis Pity She’s a Whore, the protagonist Giovanni brings about his own destruction. Though the play stands as classic of Eng Lit, ever since the 17th century it has been ignored or condemned as too racy.

The new Bowie single puts your teeth on edge with an abrasive percussion landscape echoing Michael Nyman, over which David Bowie affects an enfeebled voice to deliver mildly explicit lyrics in Restoration vein. Typically of Bowie, however, he offers his own distracting interpretation by saying: “If Vorticists wrote rock music it might have sounded like this.” Hmmm.

vorticism, Blast, magazine, The experimental art movement of vorticism grew out of futurist abstraction and the machine age in 1914, being pioneered by such English painters as Wyndham Lewis, Edward Wadsworth and William Roberts. The founders signed a manifesto proposing that they “set up a violent structure of adolescent clearness” and they produced a literary magazine titled Blast, which mocked the art establishment and the Bloomsbury set. The unfortunate coincidence of the First World War and its shocking realities killed vorticism in its tracks.

In light of which we are forced to ask: Would Wyndham Lewis or David Bomberg seriously have produced music like Bowie’s? About incest?

’Tis a Pity She Was a Whore is the B-side of the more invigorating single due out 17 Nov on Parlophone and titled Sue (or In a Season of Crime) – listen ♫ online at DB’s website – which pushes Bowie’s eerie impersonation of the godlike Scott Walker into a Valhalla of jazz. Mm-mm, crunchy!

David Bowie

Click on pic to run video for Sue (or In a Season of Crime)

❏ Update: The video above is released 13 Nov for Bowie’s single Sue (or In a Season of Crime) from the album Nothing Has Changed. The video was shot in New York and London and directed by Tom Hingston and Jimmy King. The track was recorded with the Maria Schneider Orchestra and produced by Bowie and Tony Visconti. Extra special Bowie features for the next two weeks in the NME whose verdict on Sue was: “It’s Nick Cave meets Scott Walker meets Herbie Hancock – and it’s quite brilliant.”

➢ The official monty on ’Tis A Pity She Was A Whore.

➢ A production of John Ford’s play is currently running in London at Shakespeare’s Globe theatre.

Epstein, sculpture, Rock Drill

Epstein’s Rock Drill 1913–15

➢ Tangle with 21st-century vorticists who insist Bowie rates Blast among his favourite books because, perhaps coincidentally, Blast had been returned to public consciousness in 1974 by Richard Cork who, while art critic of the Evening Standard, curated a monumental retrospective exhibition at London’s Hayward Gallery titled Vorticism and its Allies. The totemic star exhibit was the giant monolith, Epstein’s Rock Drill of 1915, destroyed by the sculptor and specially recreated for this show by Ken Cook and Ann Christopher. The plaster-cast male torso was dwarfed by mounting it on a life-sized stone-cutter’s drill, readymade by Holman Brothers of Cornwall, as originally conceived by Epstein in a powerful celebration of the machine age and of masculinity. Today the piece resides in the Birmingham Museum and Art Gallery

➢ “Bowie has topped his new compilation with a seven-minute jazz experiment – as much a statement as a song” – Alexis Petridis reviews Sue in the Guardian

➢ Previously at Shapersofthe80s: Enigmatic Scott Walker lets loose a revealing rush of answers

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2014 ➤ Harry Styles signs up for Band Aid 30

Midge Ure, Bob Geldof, Band Aid 30

Fund-raising veterans Ure and Geldof: can they pull together another Christmas chart-topper? (Pic PA)

◼ ROCK LEGENDS SIR BOB GELDOF, 60, and his unknighted partner in charity, Mr James “Midge” Ure OBE, 61, plan to record a new fund-raising song, most likely destined to help fight ebola in West Africa. The 80s stars masterminded the 1984 chart-topper Do They Know It’s Christmas? by co-writing the song and amassing a Who Was Who of 45 rock stars to record it free, under the group name Band Aid. The track sold 3.7million copies in the UK alone and remained its best-selling single for 13 years.

Three decades on, One Direction are thought to have agreed to record the new tune, with other hot acts for Band Aid 30 tipped to include 20-something generationers Adele, Emeli Sandé, Ed Sheeran, Alt-J, Ellie Goulding, Paloma Faith, Jessie Ware, Bastille, Olly Murs, Ben Howard and Sam Smith.

The 1984 hit led directly to the globally televised Live Aid concerts of 1985, voted the most important music event of the past 30 years, which raised £150million to fight famine in Ethiopia.

Tracey Emin, Band Aid 30

Design by Tracey Emin

➢ Nov 10 update: One Direction confirmed at BBC News: One Direction, Ed Sheeran, Elbow and old-timers such as U2’s Bono and Coldplay’s Chris Martin are among the acts confirmed to record the fourth version of the Band Aid charity single Do They Know It’s Christmas?. Bob Geldof and Midge Ure said the song’s lyrics would be changed to reflect the ebola crisis. The new version will be recorded this Saturday and artwork has been designed by Tracey Emin.

Patryk Spiker,Band Aid 30, Harry Styles,

Up for Band Aid 30: 1D’s Harry Styles tonight snapped in the recording studio with Polish photographer Patryk Spiker. Harry made no comment on the charity project

➢ Previously at Shapersofthe80s: Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: Band Aid, the smash hit that earned 47 artists three platinum discs each

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