Category Archives: Media

➤ Another emotional gem on Spandau’s long walk to freedom

Soul Boys of the Western World, interview, Spandau Ballet, SXSW, Austin, premiere, movie, pop music,

Spandau Ballet’s post-gig interview at SXSW in Texas: Steve Norman finds the humour in St John Keeble’s healing homilies

❚ NOT TO BE MISSED! Freshly posted at YouTube is yet another heart-on-sleeve prequel to Spandau Ballet’s promised Reconciliation and Redemption tour. A group interview on video unexpectedly becomes a very moving and positive expression of the band’s solidarity as friends. Famously “sticky moments” from the kamikaze wrecking of the band at the height of its success and the atomic fall-out during the 90s are glancingly referred to in the spirit of mild self-flagellation. The five musicians who defined Britain’s New Romantic movement are discussing Soul Boys of the Western World, their warts-and-all documentary biopic premiered last month at SXSW, the cool new-media festival at Austin in Texas.

“The film is pretty honest and hard for us to watch at times,” says songwriter Gary Kemp. “You can see in the film I was a bit precious.”

“That Kray twin moment [a reference to the Kemps making a feature film about the Krays in 1990]: for me that’s really embarrassing cos me and Gary’s answer is really conceited, but that’s who we were at the time,” says brother and bass player Martin. “The film lets us examine where we went wrong.”

SOUL BOYS SET FOR CANNES

The Spandau Ballet documentary that proved a hit at SXSW in March, is to be screened to buyers at the ➢ Cannes Marché next month, handled by UK sales company Metro International

“We’re human, we didn’t always get it right, we were young kids thrust into the limelight,” says singer Tony Hadley.

“We went through that terrible time facing each other in court at one point,” says instrumentalist Steve Norman. “It was awful. I put my saxophone on the top shelf and didn’t want anything to do with it for about four or five years cos it was symbolic of Spandau.”

Throughout the interview St John of the Drums emerges as the Kentish Town savant with a healing prayer for the sins that destroyed lifelong friendships between the five soulboys. “You can’t be revisionist,” Keeble observes. “It was a major thing when we got back together five years ago. You cannot unknow stuff that’s gone on but I think everyone felt in their hearts that it was now better to focus on the future. The whole world’s still in front of us.”

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➢ Why the trailer for Soul Boys of the Western
World stops you in your tracks

What’s sad from a fan’s perspective is that the live gig in Texas which followed the film’s screening was the first and only time Spandau have played together since their year-long Reformation tour ended in 2010. That comeback tour was a sensational success, just as this gig has proved to be. The video interviewer, writer Lori Majewski, called Spandau a formidable live band: “I was surprised how tight you guys were, how great the live show was!” Entertainment Weekly reported the gig exuding “a rare atmosphere for a very youth-centrict fest, and a truly inspired musical moment – not bad for a bunch of fifty-somethings”.

The documentary has received keen reviews for its sole use of vintage footage and director George Hencken’s intelligent deployment of the band’s hit tunes from the 80s. The SXSW interview also reveals that at the 1985 Live Aid concert Steve Norman shot some under-cover footage backstage where cameras officially weren’t allowed. John Keeble remarks on the amount of original footage in their movie which the band themselves had never seen before – much shot by Martin Kemp as a Super8 enthusiast – while there’s plenty more footage that didn’t make the cut. So come on, lads. Let’s stage a premiere for the Spandau out-takes.

Click on video title above, then scroll to No 7 in the playlist

❏ This meeting of travellers at a crossroads in Austin has all the signs of a mystical resurrection sent from heaven, yet we’re told a Spandau tour is unlikely to happen this side of New Year. How patient must fans be? They had to wait three years for this film to be finished, having evolved naturally from a gifted film-maker recording the Reformation tour.

Two superb books on Spandau have been in preparation for years: one, a smart limited edition photobook, still awaits a strategic publication date to support a career jump-start.

The other was commissioned ten years ago, yes ten, in a wishful gesture of reconciliation while band members roamed the wilderness of solo careers. The showbiz writer Paul Simper was rightly deemed the only person qualified and trusted to capture the fascinating inside story of Spandau Ballet. His manuscript was revised five years ago to boost the Reformation tour, then publication was postponed in order to embrace the selfsame Reformation tour. His gripping text is far more thorough than many rock biogs because of the extraordinary times it describes and the wide-ranging context his research has captured. Currently, Simper is re-retuning his words which could become the book-of-the-film – once the film is given a release date. “Hearing the band talk so eloquently and emotionally gives me new impetus,” he said today. “It’s thrilling to hear them looking to the future.”

For the fans camped at the tiny Oasis of Hope, the road to truth and reconciliation for the band who’ve been pals since schooldays is a long one, as it has been for post-apartheid South Africa, and for Ireland since partition. But y’know, those two were nations with histories riven by British politics. Not a chart-topping pop group. Why doesn’t somebody ask Jerry for his Final Word then we can all get back to the music?

SPANDAU BALLET LIVE AT SXSW 2014

AND AT THE LOU REED TRIBUTE AT SXSW

➢ Previously at Shapersofthe80s: Curtain up on Spandau’s rollercoaster saga of war and peace

CHEEKY CHAPPIES: THE WAY THEY WERE IN ’81

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➤ Calling fashionistas for their tales of Spandau Ballet in the New Romantic 80s

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, fans,

IS THIS YOU? May 8, 1982: A teenage fan shins the drainpipe at the Liverpool Empire giving access to Spandau Ballet’s dressing room on their first nationwide tour with the Diamond album. Snapped by © Shapersofthe80s

❚ WERE YOU A FAN of Spandau Ballet in the 1980s? Here’s an appeal for your experiences from a reputable documentary film-maker…

We are looking to speak to people who lived through the early years of the band’s success in the 80s for a BBC 4 documentary on the history of music and fashion in post-war Britain.

We are particularly interested in hearing from people who took fashion inspiration from them and the New Romantics scene and may still have some clothing from that period. If you can identify with this and wouldn’t mind speaking to a member of the team about your experiences please contact Lucy Joyner: ljoyner [ a t ] oxfordscientificfilms.tv

Spandau Ballet, Blitz Kids, New Romantics,  1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Unrivalled adulation in the early 80s: Tony Hadley faces the audience during Spandau Ballet’s Diamond tour of 1982. Photograph by © Shapersofthe80s

DID YOU WITNESS POP HISTORY IN THE MAKING?

❏ Who are the two Liverpool music fans so keen to meet their idols that they shinned the drainpipe at the Empire theatre leading to the dressing room of Spandau Ballet, Britain’s premier New Romantic band of the 80s? After knocking on the window, the girls achieved their goal when bass player Martin Kemp helped them to safety inside.

The year was 1982. Spandau’s seventh single Instinction had put them on Top of the Pops during Easter week and sales were rocketing. The night of May 8, towards the end of Spandau’s first nationwide tour, with stand-up comedian Peter Capaldi in support, has become known as The Return of the Scream. The moment the house lights dimmed, a mighty roar lifted the roof off the Empire, the city’s legendary music venue. It didn’t stop for 75 minutes. The band hadn’t heard anything so intense and were visibly shaken when they came offstage. Guitarist Gary Kemp said in disbelief: “I had to stop playing. I couldn’t hear my own monitor.”

What we had all witnessed was the return of the true teenybop scream, the continuous bellow from the lungs, little heard since the days of the Beatles. Security men and women were clearly caught out by the pandemonium as they wrestled to persuade the screamers back to their seats. One Empire veteran said that night he’d heard nothing like it since the Bay City Rollers in the mid-1970s.

A crowd of at least 500 fans surrounded the stage door afterwards and a shadow had only to fall across a dressing-room window for the scream to start again in the street. Two girls then decided to shin the drainpipe and beat the second-storey window with their handbags until they were let in.

Police with batons eventually arrived and the band managed to escape through the front doors of the theatre, but only after two decoy departures had been staged. Even so, in the murderous dash through the crowd packing the pavement, saxophonist Steve Norman lost a bracelet and singer Tony Hadley a chunk of his scalp. As their coach pulled away, I was stranded on the kerb photographing the mayhem.

Spandau Ballet, Blitz Kids, New Romantics, Liverpool Empire, 1982, Diamond Tour, Martin Kemp, fans, Gary Kemp,Steve Norman, Tony Hadley, Peter Capaldi

Inside the Liverpool Empire, May 8, 1982: fans shocked security staff with the roar that greeted Spandau Ballet. Photograph by © Shapersofthe80s

Spandau Ballet, Blitz Kids, New Romantics, ,1980,Scala Cinema, concert,OMM,pop music,
➢ An early Spandau Ballet date at the Scala cinema described above in The Blitz Kids and the birth of the New Romantics – in the Observer Music Magazine 2009

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2014 ➤ At last, Kemp reveals Spandau to tour UK and US in the fall – and tomorrow The World!

Spandau Ballet, SXSW, tour news, UK, US, pop music, Twitter

Gary Kemp scoops Spandau Ballet’s own website on March 15

Spandau Ballet, SXSW, Vulcan Gas Company, pop music, Tony Hadley, reunion, concert

Spandau Ballet reunion at SXSW: the band together onstage playing 11 of their classic numbers at the Vulcan Gas Company

❚ HERE ARE THE TWEETS Spandau Ballet fans have all been waiting for, when Gary Kemp scooped even the band’s official website following their reunion performances and film premiere at SXSW in Texas. Yes, a tour is in the offing and it will conquer the world.

Spandau Ballet, SXSW, tour news, UK, US, pop music, Twitter, Irvine Welsh

Gary’s news of a UK tour also emerged on March 15 during interrogation at Twitter by Irvine Welsh, the Scottish author of the 1993 novel, Trainspotting

Spandau Ballet, SXSW, tour news, UK, US, pop music, Twitter,

Two days later, March 17: Tweeter Martin Wood, an English fan from Yorkshire, engages Gary in some banter…

Spandau Ballet, SXSW, tour news, UK, US, pop music, Twitter

… whereupon Gary Kemp announces a second scoop at Twitter. Well done, Martin!

Spandau Ballet , video,Satellite of Love , SXSW

Spandau Ballet on Friday performing Satellite of Love at the Lou Reed Tribute at SXSW … Videograb courtesy Chickrock: click the pic to view her video in new window

➢ Previously at Shapersofthe80s: First review of Soul Boys of the Western World

➢ View March 12 interview for ComingSoon.net with Spandau Ballet plus their film director George Hencken

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2014 ➤ Curtain up on Spandau’s rollercoaster saga of war and peace

Spandau Ballet, SXSW, Vulcan Gas Company, pop music, Tony Hadley, concert

Hello America! In Austin, Texas, 28 years after their last vsit, Spandau Ballet return to play live

➢ UPDATE – First official review of SBWW from Mel Brown at Facebook:
I’m a very lucky girl. Got to see the worldwide premiere of Soul Boys of the Western World. Truly amazing. An emotional roller coaster. This film is not just for Spandau fans, it’s for anyone who loves a good story of friends growing up together. Can’t wait for its UK release. Thanks guys! Looking forward to the first US show in 28 years tonight.

❚ AUSTIN, TEXAS, IS SIX HOURS BEHIND THE UK so any minute NOW the curtain is going up on the world premiere of Soul Boys of the Western World. The documentary movie made entirely from vintage footage follows the rise and fall of the five london schoolpals who became one the the world’s half dozen pop supergroups of the 80s. And in two hours’ time we’ll know how much of a tearjerker it turns out to be. Take it away, Tone!

Spandau Ballet, reunion, TV, interview, Soul Boys of the Western World,movie,pop music, SXSW

Spandau Ballet all together on the Austin TV breakfast show: first public reunion since the Reformation tour ended in summer 2010

➢ Tony Hadley on Facebook early today:
A tiring but extremely successful day 2 at SXSW. We spent pretty much the entire day from 7.30am to 6pm doing promotion for the movie. The feedback from all the journalists that interviewed us was fantastic and there will be some reviews online later. In the afternoon we had a couple of hours to head out and check our back-line equipment for today’s show at a rehearsal facility here. In the room next door there was Kanye West and Jay-z rehearsing. 
Last night I had a chance to go and see London Grammar, Imagine Dragons and Coldplay playing at the iTunes Festival here. They all put on a great show.

“ Today is the main Spandau Ballet event…the premiere of Soul Boys of the Western World at the Paramount Theatre at 1400hrs. Very exciting!
 Tonight we play our first show here in the US for 28 years at the Vulcan Gas Company and we are all really looking forward to it. I’ll let you know tomorrow how it went!!

FIRST SNAPS AFTER THE SCREENING

Soul Boys of the Western World, Spandau Ballet, SXSW, Austin, premiere, movie, pop music, George Hencken

After the screening of Soul Boys of the Western World: Spandau invite a Q&A from the Paramount audience… Far left, the film’s director George Hencken

Today’s Tweet from Gary Kemp ‏@garyjkemp
On stage with band and director @georgehencken for Q&A post screening. Thank you @sxsw, it was emotional.

Spandau Ballet, Vulcan Gas Company, concert, pop music, SXSW,Austin

Soundcheck for tonight’s live gig: Spandau onstage together for the first time in almost four years at the Vulcan Gas Company in Austin. Photo by Spandau’s first record producer, Richard James Burgess

Today’s Tweet from Spandau’s film director Henckenstein ‏@georgehencken
Tonight is going to be about this: #SpandauBallet #VulcanGasCompany

 Richard Burgess , Spandau Ballet, Steve Norman, film, Soul Boys of the Western World, premiere,SXSW

Another reunion! Steve Norman meets up with Spandau’s first record producer Richard Burgess today at SXSW

Today’s tweet from Spandau’s first record producer Richard James Burgess
I haven’t seen them in a small room since 1980

Spandau Ballet, SXSW, Vulcan Gas Company, pop music, Tony Hadley, concert

After the soundcheck for tonight’s Spandau show: Tony Hadley relaxing as Steve Norman takes the snap

Today’s tweet from Steve Norman ‏@SteveNormanReal
The big man post sound check, pre gig madness @TheTonyHadley #SXSW

Soul Boys of the Western World, Spandau Ballet, SXSW, premiere, movie, pop music

Marquee of the Paramount in Austin, Texas: Soul Boys of the Western World premieres today

➢ Today’s SXSW 2014 print interview with Spandau Ballet and their film director George Hencken

➢ Click to view the trailer of Soul Boys of the Western World

➢ Previously at Shapersofthe80s: Spandau confirms live reunion gig in Texas – for a tiny elite!

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➤ Life inside the head of Big Frank and Little Frank will make you weep

Chris Sievey, Frank Sidebottom, Domhnall Gleeson,Michael Fassbender,Maggie Gyllenhaal,Lenny Abrahamson,Frank the film,

Frank the film (2014): Fassbender and Gleeson

❚ O.M.G! ANOTHER WACKO TRAILER for a feature film. This is one everyone born North of Macclesfield will want to see – Frank, a fictional story loosely inspired by the brilliant life of eccentric Mancunian musician Chris Sievey, who built a comedy career as Frank Sidebottom, the man in the giant papier-mâché head. He died in 2010 aged only 54.

A young wannabe musician, Jon (Domhnall Gleeson), finds himself out of his depth when he joins a band that includes the terrifying Clara (Maggie Gyllenhaal) and is led by the enigmatic Frank, played by the Irish actor Michael Fassbender. (Why?) And what goes on inside the giant head? The trailer alone reveals weirdnesses you never knew before. He never takes it off. When bandmates try to force him to remove his head, Frank says: “I have a certificate.” Sob.

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➢ View a rather more heart-warming clip at the website for Frank the film, directed by Lenny Abrahamson, UK release 9 May 2014

➢ Previously at Shapersofthe80s: RIP Big Frank and Little Frank who had a Fantastic Funeral

SIDEBOTTOM’S FIRST TV APPEARANCE (1985)

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