Category Archives: Media

➤ The Voice’s rock god Lovatt surprises Britain and shocks himself

Jamie Lovatt

Moment of triumph on The Voice Feb 22: Kylie, Will, Ricky and Tom (in there somewhere), all wanting a piece of Jamie Lovatt. Screengrab © BBC

➢ Watch Jamie’s Voice performance in full plus the judges’ verdicts on BBC iPlayer until April 12 (scroll to 58 minutes)

❚ “I DIDN’T KNOW I WAS GOING to turn round and see this rock god dude!” said Kylie Monogue on The Voice UK on Saturday night. The dude in question had delivered his own steady but highly emotional and emphatically rock reinterpretation of Rozalla’s acid house smash Everybody’s Free to his own twangy Rickenbacker guitar. By his hollering climax the studio audience were on their feet and two of The Voice’s four celebrity coaches had spun their chairs in hopes of recruiting him: superstar Kylie Minogue and Ricky Wilson (“the bloke from Kaiser Chiefs”). Within minutes the dude had opted to join Ricky’s team as its final member, before the BBC TV talent contest’s real battles begin next week.

An hour after transmission he posted on Facebook: “Who saw me then eh? SURPRISE.” Jamie Lovatt, cocky 24-year-old face about Shoreditch where he runs a bar, was back. The frontman for the once glam-goth band Romance, since restyled as tribal “cabaret rockers”, had definitely stolen the show, even though the acts auditioning blind on Saturday were a cut above previous weeks, because most proved to be seasoned performers with terrific voices. This dude also looked like nobody else within miles – an eyeful of androgynous 80s glam, Jamie sported long blond hippy hair and eyeliner, a gold crocheted clingy top, snakeskin trousers and cowboy boots. His style is a fusion of Prince, Billy Idol and the 80s postpunk shamanists Death Cult, though the TV audience was spared his usual stage gambit of performing shirtless.

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For those of us who’ve known Jamie since he deejayed in London’s fashionable Neo Romantic clubs, the fierce TV act was a surprise metamorphosis from the once shy teenager (off-stage!), through the frenetic vocalist onstage with Romance, to this assured showcase cover version bursting with intense feeling which Kylie and the other coaches sensed immediately. Almost 90 seconds into the number, Ricky hit the voting button and six seconds later Kylie followed.

She was full of admiration: “I liked the emotion in your voice. I don’t know if you always sing like that but the fact that you have the ability to sing like that is very moving.”

What set Jamie’s interview apart was the sadness that brimmed within him as he told how Romance’s first lineup had been torpedoed by ill health and their four-album record deal was cancelled when the label dropped the band in 2011. “I lost management, I lost everything.” But not his faith to carry on.

The coaches rallied. Will-i-am said: “As far as getting dropped, guess what? They lost.” And the audience cheered. Tom Jones paid a couple of quiet complements that were evidently heartfelt. Ricky had been there himself: “I know what you’ve been through. I’m in a band… and we lost a record deal.” Lucky Jamie was able to pick which team to join and as he stepped from the stage it was noticeable how all four coaches crowded in for a piece of him. He’d been dignified, determined and, incredibly, said “Thank you” more times than you’d expect from a self-declared “lone wolf” rocker.

Some think a shiny-floor TV talent show might undermine a rock singer’s credibility, but Jamie is a 21st-century man and believes it’s the only way to crack the industry these days. He told The Sun: “People don’t think of someone like Jagger or Jim Morrison going on these shows but if you were to take them at the age they were discovered and have them living now, would that happen?”

Today was spent doing the rounds of the media as a hot TV property. What’s the question they were all asking? Answer: “How did it feel?” Jamie told Shapersofthe80s: “All I can say is it was surreal then, and from all the support I have received, it’s even more surreal now! Absolutely overwhelming, humbling and shocking. I can’t thank everyone enough… Didn’t think this would happen at all. I’m really moved!”

➢ Catch Jamie Lovatt and his new “glam-noir” lineup Romance Mk2 playing live in London during March and April

EVERYBODY’S FREE: BRIEF CLIP FROM THE VOICE

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➤ Spandau confirms one-off live reunion gig in Texas – for a tiny elite!

Spandau Ballet,1984,pop music,reunion,Blitz Kids, New Romantics,, Parade, album

Parade’s 30th birthday celebration! In 1984 the fourth studio album by Spandau Ballet yielded two UK Top 10 hits, Only When You Leave and I’ll Fly for You. It introduced the imagery of artist David Band which became the band’s leitmotif

FEB 12 – UPDATE FROM SPANDAU BALLET

Spandau Ballet (Official) – “Awesome Spandau meeting yesterday! 2014 and 2015 are shaping up rather nicely”

FEB 14 – BIG TONE TO HIT THE ROAD

Tickets go on sale for Spandau singer Tony Hadley’s 10-stop UK tour in October, once again with a full orchestra, climaxing at London’s Theatre Royal Drury Lane

FEB 20 – LIVE REUNION GIG CONFIRMED

Gary Kemp says – “We’re in rehearsals next week!”

❚ SPANDAU BALLET WILL PLAY TOGETHER on March 12 – their first live date in North America since 1985. On the same day that their biopic Soul Boys of the Western World premieres in Austin, Texas, the five Angel Boys will later perform at the Vulcan Gas Company on E 6th Street, a refurbished new entertainment space named after a psychedelic venue from the hippie 60s. It will host 20 gigs during the massive SXSW new-media conference and its music and film festivals.

entertainment

The new Vulcan in Austin: a steam-punk interior and cutting-edge sounds

What will stymie hordes of Spandau’s hopeful American fans is that a registered Music Badge to attend SXSW costs $750 and, even then, does not guarantee admission to specific events.  Platinum and Gold conference delegates are given priority admission before Music and Film Badge holders. Also, the new Vulcan with “an industrial steam-punk feel” is a modest venue – with a typical capacity of 535 – so spare tickets are likely to be thin on the ground. The Festival operates a Queue Card system with updates online, via Venue Status Boards and @sxsw on Twitter. However, before travelling to Austin, Spandau fans are advised to ensure they have secured a ticket (see the comment from SXSW, below). Hints from the Spandau team suggest there may be more news soon.

Elsewhere on the same evening the UK singer Damon Albarn is performing at one of Austin’s 100 venues that stage live music nightly – the town does claim to be the “Live Music Capital of the World”. For three years from 1967 the Vulcan Gas Company on Congress Avenue became its first successful psychedelic music venue, featuring Jimi Hendrix, John Lee Hooker, Canned Heat, Muddy Waters and other greats, then morphing into the Armadillo World Headquarters with a broader musical bill that embraced Bruce Springsteen, Bette Midler, blues and jazz.

Jimi Hendrix , Johnny Winter, music, Vulcan Gas Company

The original Vulcan on Congress Avenue with its notorious drainpipe backdrop: Jimi Hendrix and Johnny Winter playing in 1968

Now in the 30th anniversary year of Spandau Ballet’s fourth album, Parade, one of Britain’s iconic supergroups of the 80s returns to the States.

Tony, Gary, Martin, Steve and John will be flying in to attend the 2pm premiere of their archive-only documentary film, Soul Boys of The Western World. Songwriter Gary Kemp says: “We had the idea because we have a good story and the story has a real arc. It’s about friendship, kids who come from the shadows of the Second World War growing up in the 60s and 70s, a period of great rock music from David Bowie and glam rock. They go through the whole punk experience and then had the experience of the whole New Romantic scene of working-class kids dressing up and doing things that were outrageous against a recession.”

ENTRY TO SXSW EVENTS CANNOT BE GUARANTEED

❏ SXSW says: “As far as films go, tickets will be for sale at the door after delegates with badges and wristbands are seated, if there is room. For the music portion of the event, the situation is very similar. There will most likely be tickets for sale at the door but it varies from venue to venue. After badges and wristband holders are admitted, tickets may be sold if capacity allows. Our best advice is to get to the venue early or contact them to see if they will be selling tickets at the door and also see how long the wristband/badge lines are to judge if you could even get in.”

➢ Previously at Shapersofthe80s: Video gems unearthed by the Spandau Ballet documentary movie

Spandau Ballet,1984,pop music,reunion,Blitz Kids, New Romantics,, Parade, album

2014… Spandau Ballet’s next parade is about to begin!

FIRST REACTIONS FROM THE FANS

Jennifer Schmaltz Robbers Aw, this is so bittersweet! It would be great if you guys could add another show outside of SXSW. It will be hard for a lot of your US fans to swing the SXSW pass.

Ricky Resurreccion $795 for a music badge???? My wife and I huge fans from California and she’d die to see you guys perform. Come on, Gary, help us out here!

Molly Fanton It better be a US tour. Come on guys come to Buffalo, Boston or NYC. I so want to see you guys.

Shell Stringer When are Spandau Ballet going to tour round more local places? Come to The Dome, Doncaster please :-)))

Carlos Hidalgo Regular Sud America

Christine Turner Hopefully another tour Down Under.

Tony Baker Get your sens darn to the Echo @ Liverpool lads

Brigitte Supercan We want you in Italy very soon please

Catriona Stokes Please come to Dublin again, you were fab in 2009 xx

Gregg Daniell Toronto. Canada would live to have you.

Debbie Meyers Praying for anywhere in the USA

Cecy Blue Pax We want a Spandau Ballet concert in South America too

Cristina Martínez Queralt Barcelona waiting for you

Layne Wheeler ok, about that meeting. when are you coming over to the states, anywhere over the atlantic, the wife and I AND our friends will come see you… here is a incentive… I will cook!!

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➤ Prince live in London puts the afro back in fashion!

Prince, live, London, pop music

Last night’s secret gig: Prince live at the Electric Ballroom in London backed by his new band 3rdEyeGirl. (Photograph PA)

❚ HERE’S THE GODLIKE ONE live onstage in the Electric Ballroom at about 1am this morning all in black with a furry sleeveless top plus wild afro hair. Prince was backed by his new band 3rdEyeGirl and his audience consisted of whoever ventured out in last night’s lashing storm.

His first London gig since he played 20 nights at the O2 arena seven years ago opened with a slow version of I Could Never Take the Place of Your Man and Prince told the smattering of fans: “You sound like ten thousand. We love each and every one of you.” His manager Kiran Sharma tweeted: “If you were there… you know :) See you tomorrow! Same place.”

Prince, now aged 55, said he hoped to play “iconic” London venues such as Ronnie Scott’s jazz club and the legendary 60s club the Bag o’ Nails, where Jimi Hendrix performed and recently reopened.

According to the passionate lifelong Prince fan Goldies Parade a series of “guerrilla gigs”, which mark the release of the PlectrumElectrum album, is expected to be held at the Electric Ballroom for the remainder of the week. Info is sparce but leaked out following the long-awaited “press conference” in the Leyton, east London, living room of Lianne La Havas, the British soul singer whose debut album became iTunes Album of the Year 2012. There Prince played two acoustic tracks, Pretzelbodylogic and FunkNRoll, bathed in purple light.

The London jaunt is, he said, “open-ended – we’re going to be here until people don’t want to hear us any more”. 3rdEyeGirl consists of Danish bassist Ida Nielsen, Canadian guitarist Donna Grantis and American drummer Hannah Ford.

Ticketing for further dates is to be handled by one outlet, but to avoid touts cashing in, tickets for this week – price £6 !!! “because it’s a new band” – will be available only on the door and only one per person.

This year of course marks the 30th anniversary of Prince’s astonishing debut album Purple Rain.

➢ On video: the monster queue for tickets in Camden at 3pm!

Prince , live, concert, UK tour, Electric Ballroom, pop music

First pic tweeted last night: Prince live at the Electric Ballroom. Photograph @stephenbudd

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2014 ➤ Spandau together again as their ‘surprise’ movie is slated for Texas premiere

Spandau Ballet, Botanic Gardens, New Romantics, Blitz Kids, Birmingham.

Kilted leaders of the New Romantics in 1980: Spandau Ballet plus their entourage of Blitz Kids travelled to Birmingham’s Botanic Gardens to play their eighth live date. (Photograph by Shapersofthe80s)

[Updated Feb 12]

❚ WITH A TITLE AS ZEALOUS AS any of their New Romantic songs from 1980, Soul Boys of the Western World is the documentary movie about the time Spandau Ballet became the musical leaders of London’s underground clubland. For two years they were the trendiest creatures on the planet as they reshaped British music and fashion, believe it. The 102-minute biopic is to be premiered on March 12 in the 24 Beats Section of the prestige new-media conference SXSW in Austin, Texas, running March 7–16. To complete the first reunion of the whole band since their 2010 tour ended, singer Tony Hadley will be flying out to join Gary, Martin, John and Steve at the screening.

Fans who imagine they can gate-crash, however, will be seriously stymied by the price of registration for the film programme which increases to $650 the later you book. Before travelling to Austin, Spandau fans are advised to ensure they have secured a ticket. Hints from the Spandau team suggest there may be more news soon.

Spandau Ballet, New York, Underground club, 1981

1981 footage found: Spandau’s first New York performance recovered after this cameraman was traced. Photographed by © Shapersofthe80s

The film contains no present-day pontificating from the band’s famously garrulous entourage of talking heads, only through vintage film footage telling their story as it unfolds. Steve Dagger, Spandau’s manager and its sixth member since the band was created and now the film’s co-producer, is impressed and excited by the extensive research which has been fanatically pursued for the past three years. Initiated by archive producer Kate Griffith, this has turned up many true gems of previously unseen footage even of the landmark “First Blitz invasion of America” with the Axiom fashion collective in 1981 which was located in only the past three months. Offcuts from footage of the band’s followers shot in Le Kilt club for BBC Newsnight were also discovered in a box that remained unopened for 30 years. There are also clips from the band’s home movies.

Songwriter Gary Kemp is over the moon at the painstaking finesse of the production led by Scott Millaney, one of the iconic producers of 80s pop videos. Kemp said last week: “People should be really knocked out by some of the material we’ve discovered.”

Director George Hencken aims to takes audiences through the cultural, political and personal landscapes of Britain as the Swinging 80s burst from the recessionary gloom of the 70s. Soul Boys Of The Western World explores life inside the bubble of global superstardom when British pop music ruled the world. Spandau Ballet themselves believe the film to be “a brutally honest story of how friendships can be won, lost and ultimately regained”.

documentary, film, Soul Boys of the Western World, Spandau Ballet, SXSW, Texas, premiere, pop music, Swinging 80s, London, fashion, nightclubbing, New Romantics, Blitz Kids,

Nomad warriors on the streets of north London, 1981: Spandau Ballet dressed for their Musclebound video. Martin Kemp called his the Mad Monk outfit. (Promotional pic for the documentary film, Soul Boys of the Western World)

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➤ Toasting the Blitz Kid dynamos who have driven the success of Shapers of the 80s

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Blitz Kids as stars of David Bowie’s Ashes to Ashes video in 1980: from the left, Steve Strange, Darla Jane Gilroy, Elise and Judi Frankland. When they got back to London after filming, they all went clubbing. Video © 1983 Jones Music / EMI Records Ltd

❚ SHAPERS OF THE 80S TELLS THE DEFINITIVE STORY of a subcultural revolution in British music and style 30 years ago. Its detonator was a youthful blast of impossible trendiness and its stars didn’t call themselves New Romantics, or the Blitz Kids – but other people did. This site gathers together the eye-witness journalism and photography of one observer who knew a good time when he saw one and was published in the coolest titles of the day.

Now in its fifth year, this site has attracted a total of 722,500 views since its launch, according to year-ending WordPress stats. The figures also identify the 20 most widely read items out of more than 600 posted here. Most of these pieces were first published back in the day, but seven of the Top 20 items reflect the continuing interest expressed through the recent 80s revival. In many ways, London is again displaying all the symptoms of being the world’s most swinging city, as it was in the 60s and the 80s, when there were a galaxy of reasons to hit the town every single night of the week.

THE 20 MOST VIEWED POSTS AT SHAPERS OF THE 80S

1  ➢ The Blitz Kids — 50 crucial nightclubbers who
set the style for a decade

2  ➢ The key men in Boy George’s life, but why has TV changed some of the names? (2010)

3  ➢ Golden rules for keeping Studio 54 ahead of the pack (1981)

4  ➢ 69 Dean Street and the making of UK club culture – birth of the once-weekly party night (1983)

5  ➢ Sorry, girls, but Spandau’s Steve Norman has a secret love — see that ring on his finger? (2011)

The Face, magazine, May 1980, launch, Jerry Dammers, David Bowie, The Cult With No Name, New Romantics

The difference seven months made: In May 1980 The Face launched with Jerry Dammers of the Specials on its cover. By November the new direction was Bowie plus a feature on The Cult With No Name, as the New Romantics were first known

6  ➢ The Face and other power brokers of the fourth estate — a new media language for a new decade (1980)

7  ➢ First Blitz invasion of the US — Spandau Ballet and the Axiom fashion collective take Manhattan by storm (1981)

Blitz club, London 1979, Wilf, Stephen Linard, 2010, Worried About the Boy, Boy George, Daniel Wallace,Douglas Booth

Left, real Blitz Kids – right, the TV version… George’s boyfriend Wilf and fashion student Stephen Linard in 1979 (picture, Andy Rosen)… Daniel Wallace as a Linard lookalike and Douglas Booth as Boy George in Worried About the Boy, 2010 (BBC)

8  ➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the 2010 TV drama about Boy George’s teen years, Worried About the Boy

9  ➢ Hockney’s new vision of the world — Britain’s favourite artist reveals his insights into cubism (1983)

10  ➢ Paradise Point: live leaders of a new Brit pop blitz (2010)

i-D 1980

Seminal spread in i-D issue one: the straight-up style of photography is established with, at left, one then unknown New Romantic and, right, one punkette. Photographed on the King’s Road by Steve Johnston

11  ➢ ‘i-D counts more than fashion’ — launch of the
street-style bible in 1980

12  ➢ 19 gay kisses in pop videos that made it past the censor

13  ➢ Who’s who in the New London Weekend — key clubs that set the capital swinging (1983)

14  ➢ Aside from the freaks, George, who else came to your 50th birthday party? (2011)

© Shapersofthe80s

Londres est arrivée au Palace, 1982: classic set, nouveaux styles. Pictures © by Shapersofthe80s

15  ➢ Steve Strange takes fashion to the French — six British designers rock Le Palace in Paris (1982)

16  ➢ Posing with a purpose at the Camden Palace — power play among the new non-working class (1983)

17  ➢ Who are the New Romantics? — A mainstream deejay’s guide published by Disco International (1981)

Spandau Ballet, 1980

Houseband of the Blitz club: at the London megaclub Heaven Spandau Ballet play their tenth live date on 29 Dec 1980. From left, Steve Norman, Tony Hadley, Martin Kemp, Gary Kemp, plus John Keeble on drums. © Shapersofthe80s

18  ➢ They said it — landmark quotes about the decade of change by the people who made it happen

19  ➢ Rich List puts George Michael top of the popstars from the un-lucrative 80s (2010)

20  ➢ Comeback Shard comfy as ‘Auntie Sade’ — an enduring star who made 2010 her own

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