Category Archives: Media

2013 ➤ A ‘blistering’ picture hoard from punk’s formative years

The Clash,book, exhibition,Photography, Sheila Rock

The Clash in 1976. Photographed by Sheila Rock

❚ FOR THOSE WHO SURVIVED the mid-70s, punk was the anti-fashion UK phenomenon that transformed contemporary culture. Now “a blistering 1976-80 photo-hoard” of mostly unseen pictures has been published as a 272-page photobook. Punk+ by Sheila Rock – an American in London – chronicles both designer and street styles that impacted on fashion, society and politics, including Vivienne Westwood’s shop SEX as well as BOY, Robot and Acme Attractions. The collection, which had been stored in a box in Rock’s garden shed, includes formative images of The Clash, Chrissie Hynde, Paul Weller, The Jam, Generation X, Siouxsie & the Banshees and The Sex Pistols.

Paul Simonon of The Clash says: “This book is a great photographic record of a major shift in British street fashion.”

Sheila Rock arrived in London in 1970 to join the David Bowie circle, and it was her friend and Patti Smith guitarist, Lenny Kaye, who took her to a gig by the then-unknown Clash. “That was the first time I was introduced to the punk scene,” she says. “I decided to take my Nikon camera with me and my photography career began.” Her photographs of showbiz performers and musicians have been published in titles from Vogue to The Sunday Times and can also be found in London’s National Portrait Gallery. This month her pix will also be showing in the Punk: Chaos to Couture exhibition at The Metropolitan Museum of Art in New York.

Mick Jones,,book, exhibition,Photography, Sheila Rock

At the Brown’s party tonight: Sheila Rock with Clash guitarist and vocalist Mick Jones. Photograph © by Beki Cowey

Rock’s career took off in 1980 in The Face, the 80s style bible published by Nick Logan, who describes Rock as “self-effacing but sweetly persuasive” in the preface to PUNK+. He notes how she refined her images to capture a style that portrayed what her subjects wanted to personify. She often achieved this better than they understood themselves.

Tonight the book was launched with a two-week exhibition of Rock’s photographs at Brown’s high fashion store in London, and a further show runs for a month from May 28 at Rough Trade East, where there’s also a book signing.

Mojo Magazine reports: “Sheila Rock’s PUNK+ book presents a blistering 1976-80 photo-hoard. The striking and fascinating photo-book collects almost 200 images of groups including The Subway Sect, Eater, Buzzcocks, The Clash and the Sex Pistols, plus documentation of the rapidly changing fashions of the late 70s. She estimates 90 per cent of the shots have never been seen, and that 85 per cent were self-motivated experiments rather than work commissions. Those enthralled by shifts in vintage youth styles will also delight in the images of unselfconscious punks, such as the young Jam fans who mixed the Weller look with the safety-pin aesthetic.”

➢ PUNK+ is published by First Third Books Ltd (London and Paris): 272 pages, size 20 x 27cm, limited edition of 300 copies signed and numbered, £99; standard edition of 1,700 copies, £49. The book includes illuminating conversations with Chrissie Hynde, Tony James, Don Letts, Jeanette Lee, Glen Matlock, Chris Salewicz, Jon Savage, Steven Severin, Paul Simonon, Jah Wobble and more.

➢ Sheila Rock celebrates punk at Brown’s Men’s dept,
London W1K 5QG, April 25–May 7, Vogue preview

➢ Another exhibition of photos by Sheila Rock runs May 28–June 30 at Rough Trade East, 91 Brick Lane, London E1 6QL. On May 29 at 7pm Sheila will be joined by Don Letts and Jeanette Lee plus special guests for a Q&A event and afterwards a signing session for her book Punk+.

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➤ Glenda Jackson silences Tories in Commons tirade against Thatcher

Glenda Jackson ,video, Commons ,debate, Thatcher

Glenda Jackson lets rip: click on image to run video in a new window

By far the most heinous demonstration of Thatcherism was across the whole country in metropolitan areas where every shop doorway became the bedroom, the living room, the bathroom for the homeless. They grew in their thousands, and many of those homeless people had been thrown out onto the streets from the closure of the longterm mental hospitals. It was called care in the community. What it effectively was was no care at all in the community.

During her era London became a city Hogarth would have recognised. Everything I had been taught to regard as a vice was under Thatcherism in fact a virtue: greed, selfishness, no care for the weaker. Sharp elbows, sharp knees, they were the way forward.” – Glenda Jackson MP, in today’s Parliamentary debate which “considered the matter of tributes to the Baroness Thatcher”

London, Gin Lane, Hogarth, prints

Gin Lane (1751) by English artist William Hogarth: shocking scenes of infanticide, starvation, madness, decay and suicide in London

➢ “If the measure of a great political leader is the extent to which they leave a footprint on those that follow, Margaret Thatcher, for better or worse, was a great leader,” writes Patrick Wintour in The Guardian – “David Cameron has never been able quite to embrace or reject her politics. He, like many of his contemporaries, has almost internalised the trauma of her premiership and ejection from Downing Street in 1990… / Continued online

➢ The politicised argument over how to remember the former prime minister is not about the past,” writes Jonathan Freedland in The Guardian – “The wider Tory tribe seems determined to use the nine-day limbo between her passing and her funeral to define Thatcher in death in a way that would have seemed impossible, if not outright absurd, in life…” / Continued online

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➤ Fin Munro plunges into love and takes a walk on the wild side

Bonnie and Clyde

Bonnie Elizebeth Parker and Clyde Chestnut Barrow: the gangsters enjoyed a long-standing relationship, but never married

❚ MORE NEW SOUNDS THIS WEEK from Fin Munro, the London-based deejay, producer, musician and founder of Bad Sex, a “cutting-edge, controversial and entirely hedonistic edgy club night”. Five months ago he launched an electro-synth duo with drama-studies graduate Charlotte Mallory. Her voice wafted languidly over one lovey-dovey song titled Way to the Heart, but brought rather more attack to another titled Friend/Lover – “Don’t want to be a friend/ I want to be a … lover” – in a very 80s layered mix of harmonies topped with a drum snap.

The act’s name, Thief, took as its promotional image the famous last snapshot taken in 1933 of Bonnie and Clyde, before their lethal police ambush as leaders of a notorious American gang of outlaws and murderers. Their exploits were romanticised in the 1967 biopic produced by the 29-year-old Warren Beatty, who also starred alongside Faye Dunaway. Thief’s Facebook page is plastered with a score of other baddies from history. So what’s that all about?


➢ Listen to Friend/Lover at Soundcloud

This week comes Satine Repeat. Could this curious title possibly be referencing Duchess Satine, the human female pacifist from the Star Wars saga with a soft spot for Obi-Wan Kenobi with whom she set out heroically to warn the Galactic Senate of the menace presented by Death Watch? Or possibly not.

This time Charlotte is telling Fin “You cannot have my love” over his brittle and pacily syncopated rhythms. Charlotte’s austere voice delivers the odd dying fall – “You’re dragging me dow-ow-ow-own, dow-ow-ow-own” – one of Fin’s familiar lyrical devices last heard in his previous band Lu-u-u-ux. All of which does prove quite mesmeric. Of course, Satine did meet a tragic end at the point of Darth Maul’s dark sabre…

Thief, Fin Munro, Charlotte Mallory,Satine Repeat

Latest pic of Thief, April 2013: Fin and Charlotte


➢ Listen to Satine Repeat at Soundcloud
➢ Thief at Facebook

Fin Munro,badsexclub, clubbing,deejay

Fin Munro: turntablist returns to songwriting

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➤ Bowie at V&A: more than a rock star, Bowie reveals the process of art and design

David Bowie ,V&A exhibition, Davie Jones, Manish Boys, 1960s,Denmark Street, Tin Pan Alley,joesalama,YouTube

The first room at the V&A exhibition gives this glimpse of a pre-Bowie Davie Jones, aged 18, possibly filmed in Tin Pan Alley, London, in 1965… Click on pic to read the full story by Shapersofthe80s and view the home movie discovered in 2011

➢ 1965, Teenage Bowie flashes priceless smile to an amateur cine camera – read how the clip was found

V&A, review,exhibition, Geoffrey Marsh, David Bowie Is,

The V&A’s new exhibition David Bowie Is: “a grand stage for an inspirational artist who reshaped a generation”

MAR 20: PROFESSOR OF FASHION IAIN R WEBB
ON THE OPENING PARTY

❏ Just spent a blissed out evening at the V&A David Bowie is exhibition. It blew my mind! It is indeed a remarkable show… and to see all those pretty things that I’ve looked at in photos over and over again over the years is something akin to a religious experience… Not only is the clever curation of memorabilia and associated artefacts an inspiration (a lipstick stained tissue anyone?) but I got to personally thank both Mr Mick Rock and Mr Kansai Yamamoto for their wondrous workloads that helped transport me from village idiot to le freak! As the post-show party relocated from the V&A museum to The Rembrandt hotel across the road, the assembled fashion freaks, who also included fashion writer Judith Watt and costume designer Fiona Dealey, went crazy when Mr Yamamoto, who was responsible for many of Bowie’s flamboyant stage designs, entered. The fervour that greeted the legendary designer was akin to the Bowie-mania witnessed earlier in the evening when guests queued around the block to attend the private view.

➢ A great read about a great show – Sarah Crompton in the Telegraph, March 18:

In the opening room of the V&A’s new exhibition David Bowie Is, there is a four-second clip of film of a 17-year-old Bowie striding through the streets of Soho. The sun is shining, and as he catches sight of the camera he turns his bright blond head and smiles before vanishing from sight. The film was found on an old Super 8 camera. The amateur cameraman had been filming his wife in the Soho sunlight; it was quite by chance that he caught the nascent superstar. What is extraordinary is how, even then, Bowie behaves like the idol he was to become. If a camera is running, it must want to catch him in its lens. The mystery of David Bowie, the confidence that inspired a quiet boy from Bromley to become one of the most significant artists of his generation, hangs quietly over this entire show…

Geoffrey Marsh, a co-curator, says he is the first musical figure to be examined on such a scale: “This museum was set up to show how art and design work, to reveal the process. Although there have been a huge number of books about Bowie, they are by rock journalists and may not be of interest to the general public. The reason he is interesting is that he is more than a rock star”…

All the exhibits, presented using cutting-edge technology by – among others – the team behind the video projection at the opening ceremony of the Olympic Games, add to that sense of a fertile intelligence, changing constantly, shaping the world. You can see how firmly Bowie was in charge of everything he did.

The sheer grandeur [of the final room] brought tears to my eyes. I felt as I felt when I first saw Bowie live – simply glad to be in the same building as a man who could make music like this… / Full review at Telegraph online

➢ David Bowie is a retrospective exhibition of 300 possessions drawn from Bowie’s personal archive displayed at London’s Victoria & Albert museum, March 23–Aug 11.

David Bowie, NYC,The Next Day,Jimmy King, album charts,

Snowy Bowie, March 20: The Next Day debuts at #1 on charts in 12 countries and tops iTunes charts in 60. This week’s photo by Jimmy King

➢ Bowie is Go! Taster reviews for this week’s record-breaking V&A exhibition

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➤ Who better than PJ to take Timberbloke to task for his new Mirrors video?

Justin Timberlake,Mirrors, Popjustice,review,video ,

Justin in hall of mirrors: Click on pic to run video in new window

♫ Taster of PJ’s verdict on Mirrors:

We admire the way Justin doesn’t appear until the boring bit, thus ensuring that music channels have to play the entire video when, had he featured in the main bit of the song, most of them would have chopped it off after the proper song finishes… His dancing around is a bit silly and there are no two ways about that, sorry… / Continued at Popjustice

MIXES OF THE MOMENT, MARCH INTO APRIL

♫ 2013 has already seen some exciting moments with the triumphant returns of The Knife, Destiny’s Child, Ciara and Justin Timberlake to the OG Sugababes. Now the Dazed April playlist features James Ferraro, MikeQ, The Knife, Sugababes plus new sounds from Bishop Nehru, MikeQ & Brenmar-produced Tigga Calore, Iggy Azalea, Cosmin TRG, James Ferraro and the new one on-cult label L.I.E.S.


♫ This week i-D online teamed up with “the hottest rising label in contemporary dance Blasé Boys Club” to co-host a monthly club night at The Shoreditch Butchery above XOYO. Sebastian Burford played an eclectic mix of dance classics, then deejay MNEK got the dance floor moving with tracks like Montell Jordan’s This Is How We Do It and Fatman Scoop’s Be Faithful. The climax of the evening came in the live performance of Duke Dumont’s new single Need U (100%), with live vocals provided by A*M*E [video interview above]. – More by Declan Higgins at i-D online
plus ♫ the i-D February Mixtape

DJ, Blitz Kids,Rusty Egan, Swinging 80s, clubbing,

Former Blitz Club co-host and deejay Rusty Egan, pictured then and now

♫ Welcome to the Dancefloor: a fresh club set remix from Rusty Egan:

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