Category Archives: London

1980–2014 ➤ Ten inspirational reminders from the 80s to stir today’s young to action

Waldorf Hotel, Spandau Ballet, Blitz club, New Romantics, youth culture,Blitz Kids , To Cut a Long Story Short, London, clubbing, DJs,

Waldorf Hotel 1980: seated at centre, Spandau Ballet, house band of Covent Garden’s Blitz club, home of the New Romantics movement, plus support team of Blitz Kids who helped put their first single To Cut a Long Story Short into the UK singles chart at No 5, on 6 Dec 1980. Average age 20, everyone had a specific role to play in staging and promoting the band: seven musicians, six designers, three media and management, three club-hosts, two DJs, one crimper and 22 egos. Photographed for the Evening Standard © by Herbie Knott

◼ TEN OF THE MOST POPULAR POSTS visited here during 2014 confirm Shapers of the 80s as an “invaluable website” in the words of British historian Dominic Sandbrook. Grounded in the 1980s – the most explosive decade for British youth culture since the Swinging 60s – our eye witness reports and monthly reviews of British nightlife were originally published in magazines such as The Face, the “style bible” of its day. Our recent commentaries monitor fresh interest in the revival of 80s music and attitude during the past five years. Year-ending visit figures at Shapers of the 80s during 2014 have increased year-on-year by 16% to total 210,000.

Much unseen vintage video footage was discovered by the producers researching Spandau Ballet’s biopic, Soul Boys of the Western World, which proved an eye-opening slice of social history when it was released this year. Every frame reveals the sheer energy and commitment to hedonism and creative self-expression that characterised a generation of school-leavers who in the economic gloom of 1979 faced the threat of no jobs ever in their adult lives. The parallels with Britain’s protracted austerity today are obvious and we might hope the lessons of the 80s will again inspire the young to take their fate into their own hands.

TEN BENCHMARKS FROM THE SWINGING 80S

Andrew Ridgeley, George Michael, Wham Rap, video, Face magazine, Club Culture,

Click pic to open a Top of the Pops performance of Wham Rap! in another window … In the original music video (no longer viewable in the UK !!) “man or mouse” Andrew Ridgeley establishes his group’s clubbing credentials in the opening shots of the video, pictured, by reading our landmark Face cover story on The Making of UK Club Culture, now reproduced at Shapers of the 80s. (Screengrab © Sony BMG)

➢ Read: 69 Dean Street and the making of UK club culture

Blitz Kids, No Sacrifice, Chenil gallery,Kim Bowen, Jeremy Healy, Stephen Jones, fashion, London

No Sacrifice was an alternative fashion show in 1980 organised by Iain R Webb and mounted for art-school refusés: outside Chelsea’s Chenil Gallery, Kim Bowen as ever sports a hat by Stephen Jones (right), Jeremy Healy at centre. Photographed © by Mick Hurd

➢ Who’s who among the Blitz Kids: 50 crucial nightclubbers who set the style for a decade

Terry Doktor , Carmel Johnson, Rhonda Paster, Axiom, fashion Underground club, Spandau Ballet, gig

New York 1981: Before Spandau Ballet introduced America to electro-diskow at Manhattan’s Underground club, the Axiom fashion cooperative staged a runway show of New Romantic outfits. Photographed by © Shapersofthe80s

➢ 1981, first Blitz invasion of the US by Spandau/Axiom

London,Sullivan,Dirt Box, Mud Club,Wag club,White Trash,Sallon,Nightlife ,The Face,Swinging 80s, clubbing

First published in The Face No 39, July 1983

➢ 1983, Who’s who in the new London nightlife boom

Seminal spread in i-D issue one: the straight-up style is established with one then unknown New Romantic and one punkette. Photographed on the King’s Road by Steve Johnston

Seminal spread in i-D issue one: the straight-up style is established with one then unknown New Romantic and one punkette. Photographed on the King’s Road in London by Steve Johnston

➢ 1980, ‘Your own i-D counts more than fashion’

Blitz club, London 1979, Iain Webb, Stephen Linard, 2010, Worried About the Boy, Boy George, Daniel Wallace,Douglas Booth,

Real Blitz Kids versus the TV version: George’s boyfriend Wilf and Stephen Linard in 1979 (picture, Andy Rosen)… Daniel Wallace as a Linard lookalike and Douglas Booth as Boy George in Worried About the Boy, 2010 (BBC)

➢ How real did 1980 feel? Ex-Blitz Kids give verdicts on the 2010 TV play about Boy George, Worried About the Boy

➢ 1983, Posing with a purpose at the Camden Palace

➢ Six rewrites punk history with an outlandish claim about the Not-Really-From-Bromley Contingent

➢ 1982, “Who?!” Peter Capaldi’s first interview (probably) as a green young stand-up

➢ 2014, Video gems unearthed by the Spandau Ballet biopic premiering at SXSW

➢ 2009 till now – Index of all posts at Shapers of the 80s

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2014 ➤ Who’s Hot and Not in Popjustice annual music awards

Popjustice Readers’ Poll, 2014, pop music, Sia,
◼ HOT HIGHLIGHTS from the annual Popjustice Readers’ Poll nail exactly who mattered on the UK music scene in 2014, plus frank verdicts on those acts you really want to see turned over. We’ve avoided too many spoilers here – mainly teasers to send you to PJ for the teeming madhouse of Joe P’s opinion. . .

BEST SINGLES OF THE YEAR

  1.  Sia – Chandelier
  2.  Charli XCX – Boom Clap
  3.  Taylor Swift – Shake It Off

[Full chart online at PJ, along with Worst Singles]

BEST ALBUMS OF THE YEAR

  1.  Taylor Swift – 1989
  2.  Sia – 1000 Forms of Fear
  3.  Ariana Grande – My Everything

[Full chart online at PJ, along with Worst Albums]

MAJOR ARTIST WITH DISAPPOINTING MUSIC MOST AT ODDS WITH ABILITY TO ACHIEVE BETTER

  1.  Cheryl
  2.  Calvin Harris
  3.  Lady Gaga
Popjustice Readers’ Poll, 2014, pop music, Jesse I, Only The Young,

Match these acts to the remaining awards

MORE IN SIMILAR INSOLENT VEIN, SUCH AS:

  • Worst attempt at a solo career. . . Most ridiculous recording artist. . . Had it, lost it in 2014. . . Most deluded artist. . . Total bellend of the year (a bit hard on Louis Walsh, this one)
  • Best deejay. . . Best TV show with music. . . Best video and Shoddiest video. . .
  • Best new act to properly get going in 2014. . . Newish act most likely to save pop in 2015. . . Act we should send to Eurovision in 2015
  • Group most likely to split in 2015 (no direction needed to guess the first in a list of ten).
  • Sickest beat of the year as good excuse to get Lorde mentioned. And many more to keep you smirking.
Popjustice Readers’ Poll, 2014, pop music, Sia,

Another contender, you choose the award

➢ 2014 Popjustice Readers’ Poll in full

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➤ Wise words for Only The Young from PJ (he’s The Daddy)

Only The Young, X Factor, Popjustice, pop music, TV,Parisa Tarjomani,Charlie George, Mikey Bromley, Betsy-Blue English

Exiting the X Factor: a month ago Only The Young were tipped to become the best pop group in the country. (Photo: Syco)

◼ THERE’S NO JUSTICE IN POP – usually where Simon Cowell is involved – until Popjustice has spoken. And the nicest thing to happen to the ubertalented act booted off The X Factor finals this weekend – two girls, two boys called Only The Young – is to be told today exactly how to plan their career by Peter Robinson, the Svengali behind the brilliant comment website Popjustice, whose whole existence is “all about giving pop precisely the amount of respect it deserves”. And that demands more real deep-down loving for the daffy world of tinsel tunes and unrequited fan worship than dishing out easy kicks to the gut. PR is The Daddy and we don’t mean patronising, we mean paternal. He is a saint and PJ is a miracle melange of twitchy gotta-dance feet and non-cynical sarkiness. The real clue is in its name.

Popjustice, pop music, website

PJ’s editorial stance

So what can Only The Young discover today after their long dark Sunday of sobbing into their pillows because there’s no justice in TV talent contests? If they google themselves now they will find that Popjustice has rushed boldly into print with a letter of pure lurrrve and really shrewd advice drawn from years of knowing its way round the demented biz of pop.

PJ doesn’t rant on saying “They wuz robbed”. Instead it explains odd facts of life of about how a TV talent show can miscast an act, how it juggles its roster and how other talent-show rejects have shipwrecked their careers within five minutes. Then PJ tells Only The Young how brilliant they are and delivers a six-month action plan:

“Think of yourselves as a Wall’s Viennetta. Imagine that you are amazing, which shouldn’t be hard because you are, indeed, amazing. And imagine that you are in the freezer. You will still be amazing when you’re taken out of the freezer in six or eight months.”

This masterclass of careers advice (easily worth 10% of their future contract) goes on for 1,000 words about which label to sign to, which producers to call, which acts not to emulate and which two to follow. The best tip of all is about haircuts.

Our synopsis does not contain spoilers and you really should click through to the full monty now.

➢ Enjoy the real Popjustice experience. Wow!

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1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A long-lost live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

24 NOV UPDATE FROM THE VAULT ♫ CHANGE ♫

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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➤ Celebrating Midge Ure: the big-hearted old poser behind Band Aid

 Band Aid 30, pop music, recording, Midge Ure

Band Aid 30: Midge Ure yesterday conducting the artists for a new version of the song Do They Know It’s Christmas? Photograph: Band Aid Trust/Brian Aris/Camera Press

◼ TODAY AT 8pm ON THE X-FACTOR BAND AID 30 airs the fourth version of its pop smash hit, Do They Know It’s Christmas? So let’s remember the lifelong contribution of the quietest man in pop, Midge Ure, who is the true brains behind the charity project. As Bob Geldof described him on This Is Your Life: “He’s a great guy, hilariously funny though you wouldn’t know it from his old New Romantic posing. He’s got a great heart and is a great all-round good bloke.”

➢ Previously at Shapersofthe80s: 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: How Midge Ure helped shape the British New Wave

Midge: “There’s no doubt the early 80s was a golden age of music made by real popstars who created themselves. It was more than just padded shoulders and asymmetrical haircuts. It was a pivotal moment in our cultural history when new tech mixed with new ideas to create something really good. All in the pressure cooker environment that was the Blitz club”

Rusty Egan, Steve Strange, Midge Ure, Visage, synth-pop, new wave, electro-pop,Band Aid, Rocking the Blitz,BBC

Visage Mk 1: Rusty Egan, Steve Strange and Midge Ure in 1978 searching for sounds and styles

UPDATE: BAND AID 30 MUSIC VIDEO – PG ADVISED

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