Category Archives: London

1983 ➤ Video gem unearthed from the Blue Rondo vaults

◼ AIRED TODAY AT YOUTUBE: A rare live performance by London’s Latin jazz-soul band Blue Rondo à la Turk on German TV in 1983 complete with classic dance breaks from Moses and Sullivan in Aubrey Beardsley hair-do. The line-up dates from about 1982–3: Chris Sullivan and Christos Tolera (vocals), Moses Mount Bassie (sax), Art Collins (sax), Peter Tsegona (trumpet), Geraldo Darbilly (percussion), Greg Parker (guitar), Robin Jones (congas/percussion), Kito Poncioni (bass) and Daniel White (keyboards).

At this time Sullivan says: “Mark Reilly had left to form Matt Bianco. Kito carried on for a few months as he needed the money.” Then he and Daniel White left to join Matt Bianco which enjoyed several UK hits. By the time Blue Rondo released its second album album, Bees Knees and Chicken Elbows in 1984, the band had sadly disintegrated. Their first album Chewing the Fat was easily the best new album of 1981 in terms of musicality and attitude. Sullivan of course went on to run Soho’s Wag Club for 19 years and make it a legendary showbiz rendezvous.

➢ Previously at Shapersofthe80s: How Blue Rondo à la Turk created a buzz in clubland

Blue Rondo à la Turk ,Chris Sullivan ,Chewing the Fat ,jazz,soul,double-CD ,Cherry Red Records,Swinging 80s,Christos Tolera ,
➢ In June 2014 a double-CD entitled Chewing the Fat was issued by Cherry Red Records (CDBRED621) – They include 29 tracks, which are all of the group’s recordings on the original album, and various bonus tracks, 7in and 12in specials, plus remixes.

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➤ Celebrating Midge Ure: the big-hearted old poser behind Band Aid

 Band Aid 30, pop music, recording, Midge Ure

Band Aid 30: Midge Ure yesterday conducting the artists for a new version of the song Do They Know It’s Christmas? Photograph: Band Aid Trust/Brian Aris/Camera Press

◼ TODAY AT 8pm ON THE X-FACTOR BAND AID 30 airs the fourth version of its pop smash hit, Do They Know It’s Christmas? So let’s remember the lifelong contribution of the quietest man in pop, Midge Ure, who is the true brains behind the charity project. As Bob Geldof described him on This Is Your Life: “He’s a great guy, hilariously funny though you wouldn’t know it from his old New Romantic posing. He’s got a great heart and is a great all-round good bloke.”

➢ Previously at Shapersofthe80s: 1984, Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: How Midge Ure helped shape the British New Wave

Midge: “There’s no doubt the early 80s was a golden age of music made by real popstars who created themselves. It was more than just padded shoulders and asymmetrical haircuts. It was a pivotal moment in our cultural history when new tech mixed with new ideas to create something really good. All in the pressure cooker environment that was the Blitz club”

Rusty Egan, Steve Strange, Midge Ure, Visage, synth-pop, new wave, electro-pop,Band Aid, Rocking the Blitz,BBC

Visage Mk 1: Rusty Egan, Steve Strange and Midge Ure in 1978 searching for sounds and styles

UPDATE: BAND AID 30 MUSIC VIDEO – PG ADVISED

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➤ How Marilyn lost a million and ended up on benefits

Peter Robinson, Marilyn, Blitz Kids, Planets, clubbing,

Marilyn at Planets club, 1981: Peter Robinson lived his life as the Hollywood legend. Photograph by © Shapersofthe80s

➢ Band Aid star Marilyn reveals all
in today’s Daily Mirror:

The original Band Aid charity record for Christmas 1984 brought together pop stars who would go on to dominate the charts and become superstars and millionaires. And then there was Marilyn, whose first hit Calling Your Name had reached No 4 in 1983. The girlishly beautiful singer, real name Peter Robinson, was once inseparable from Culture Club star Boy George. He stood out from the likes of Duran Duran, Phil Collins, and Paul Weller with his yellow tracksuit and long bleach-blond hair. And within a few years he had fallen into obscurity.

“After Band Aid lots of things went wrong in my life and I had a nervous breakdown,” he says today, aged 52. “I started smoking heroin and taking shedloads of prescription drugs. I moved into my mum’s house and basically spent 20 years on heroin . . . / Robinson talks about his obsession with Marilyn Monroe and more at Mirror online

➢ Previously at Shapersofthe80s: Three key men in Boy George’s life, but why has TV changed some of the names?

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2014 ➤ Harry Styles signs up for Band Aid 30

Midge Ure, Bob Geldof, Band Aid 30

Fund-raising veterans Ure and Geldof: can they pull together another Christmas chart-topper? (Pic PA)

◼ ROCK LEGENDS SIR BOB GELDOF, 60, and his unknighted partner in charity, Mr James “Midge” Ure OBE, 61, plan to record a new fund-raising song, most likely destined to help fight ebola in West Africa. The 80s stars masterminded the 1984 chart-topper Do They Know It’s Christmas? by co-writing the song and amassing a Who Was Who of 45 rock stars to record it free, under the group name Band Aid. The track sold 3.7million copies in the UK alone and remained its best-selling single for 13 years.

Three decades on, One Direction are thought to have agreed to record the new tune, with other hot acts for Band Aid 30 tipped to include 20-something generationers Adele, Emeli Sandé, Ed Sheeran, Alt-J, Ellie Goulding, Paloma Faith, Jessie Ware, Bastille, Olly Murs, Ben Howard and Sam Smith.

The 1984 hit led directly to the globally televised Live Aid concerts of 1985, voted the most important music event of the past 30 years, which raised £150million to fight famine in Ethiopia.

Tracey Emin, Band Aid 30

Design by Tracey Emin

➢ Nov 10 update: One Direction confirmed at BBC News: One Direction, Ed Sheeran, Elbow and old-timers such as U2’s Bono and Coldplay’s Chris Martin are among the acts confirmed to record the fourth version of the Band Aid charity single Do They Know It’s Christmas?. Bob Geldof and Midge Ure said the song’s lyrics would be changed to reflect the ebola crisis. The new version will be recorded this Saturday and artwork has been designed by Tracey Emin.

Patryk Spiker,Band Aid 30, Harry Styles,

Up for Band Aid 30: 1D’s Harry Styles tonight snapped in the recording studio with Polish photographer Patryk Spiker. Harry made no comment on the charity project

➢ Previously at Shapersofthe80s: Band Aid, when pop made its noblest gesture but the 80s ceased to swing

➢ Previously at Shapersofthe80s: Band Aid, the smash hit that earned 47 artists three platinum discs each

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➤ Is the sun setting on Westwood’s Worlds End?

Worlds End , shop, fashion, London

430 King’s Road: the crazy Worlds End clock slips from sight

◼ IF I WERE THE V&A, I’d be eyeing up that fairytale frontage at 430 King’s Road and hoping to buy it up for our national collection, along with its crazy 13-hour clock that turns time backwards. Today the nursery-rhyme cottage façade with slate roofing and wonky door frame vanished behind a builder’s hoardings. For 34 years the Worlds End shop has played home to savages, witches, pirates and other Vivienne Westwood fantasies, but can demolition be imminent?

The shop has stood empty for weeks, “closed for refurbishment until further notice”, according to its blog, which adds that more space has been acquired in the basement of the listed 19th-century building. Viv’s son Ben has given one deadline after another, promising that Worlds End would reopen in October, then “further into November”, and last week “the beginning of December”. A council notice on the hoarding validates it until 30 Jan 2015, so this could mean all promises are off until February.

Click any pic below to launch slideshow


Viv’s Mayfair flagship store heads her chain of 12 UK retail outlets with Ben supervising Worlds End and devising between them clever ways to reinvent mum’s vast repertoire of silhouettes from squiggle shirts to mountain hats. Following her former partner Malcolm McLaren’s death in 2010, Viv asserted her rights to the various shop names and retail trademarks from their 13 years together and has adroitly capitalised on their sales potential since.

Ben has wittily related the freaky tale his father Malcolm told him about how he acquired 430 King’s Road, when the owner gave him the keys one day in 1971 and never came back.

A dynasty of subversive shops have mythologised this Chelsea address which is today one of Britain’s youth-cultural tourist magnets. The hippie boutique Hung on You of 1967 was followed by Mr Freedom, Paradise Garage, and in 1971 Let It Rock, the first of five retail ventures pursued by McLaren and Westwood, after meeting at Harrow School of Art. Next came Too Fast to Live Too Young to Die, then the most notorious, Sex, the home in 1975 of punk and the Sex Pistols, Malcolm’s creation wearing his Svengali hat. Here too Jordan (née Pamela Rooke) became the female face of punk as both sales assistant and living mood board who single-handedly turned the safety pin into a fashion statement.

Simon Barker, Six, Punks Dead, Jordan, photography, exhibition, London, Berlin

Reunited at the 2012 Punk’s Dead exhibition: a plonker from Six for Jordan at London’s Divus Gallery. Photograph © Shapersofthe80s

This week from Berlin Jordan expressed concern about the rumours surrounding the shop: “Really shocked, has it closed or is it being redesigned? Surely Vivienne hasn’t closed it, it is iconic!” Jordan was in Berlin, coincidentally, for the latest leg of the Punk’s Dead touring exhibition of Simon Barker’s photos of the movement’s earliest flowering. Simon, of course, aka Six, was one of punk’s feted Bromley Contingent who himself went on to front the Worlds End shop for many years. He piped up: “The problem is it is lined with asbestos. Plus Malcolm wouldn’t have cared about Worlds End being redeveloped – a ‘dance in the ruins’.”

Time for a check-call to the Westwood HQ. A spokeperson there purred soothingly: “What’s happening is a major renovation. To remove what’s in the walls and floors will take one or two months. Worlds End is definitely not in danger of being closed.” Sorry, Malcy: your dance has been postponed.

Punk’s Dead,exhibition, books,photography, Simon Barker , Siouxsie Sioux

In the Punk’s Dead show: Siouxsie Sioux at the St James hotel in 1977. Photographed by Six

➢ Previously at Shapersofthe80s: 2012, Punk’s Dead – Fresh pix from the “14 months” of punk

➢ Previously at Shapersofthe80s: 1983, The day Vivienne and Malcolm realised the end was nigh

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