Category Archives: London

2012 ➤ S’Express adds pizzazz to an alternative Pageant playlist for HM The Queen

River Thames ,Diamond Jubilee Pageant,

➢ 1,000 boats will muster on the River Thames — in case you hadn’t heard — on Sunday June 3, to accompany Her Majesty The Queen in the Thames Diamond Jubilee Pageant. The flotilla itself will be over seven miles long and will pass 25 miles of Thames river bank and under 14 bridges. It will take 90 minutes to pass any given point. A global TV audience is expected to number hundreds of millions… / continued online

London Philharmonic Orchestra ,Diamond Jubilee Pageant, Mark Moore, S’Express

Official and unofficial Pageant soundtracks: the London Philharmonic Orchestra’s CD, and DJ Mark Moore of S’Express

➢ The Guardian offers an alternative playlist for
Her Majesty’s water music

According to Adrian Evans, the “pageant master” tasked with arranging a London Philharmonic Orchestra soundtrack for the Jubilee flotilla’s voyage down the river Thames, the Kinks’ Waterloo Sunset didn’t quite make the cut. Come June 3, the 86-year-old monarch will instead be serenaded with movie themes and century-old chestnuts. Today, though, The Guardian offers its own fantasy flotilla playlist of 14 tracks which start from Albert Bridge with The Clash’s London Calling — 1979. (London is drowning and I live by the river. The video for this Thameside apocalypse was shot beside the bridge)…

It nods to Southwark Bridge with S’Express: Theme from S’Express — 1988. (Shoom, in nearby Southwark Street, was ground zero for British acid house. Supercool DJ Mark Moore is suitably lowkey today on Facebook, “Most amusing”, and reminds us he was frontman in the 80s act)…

And reaches Tower Bridge with Blur’s This is a Low — 1994. (The flotilla turns around here, but the song follows the river eastwards. And into the sea/ Goes pretty England and me)… / continued at Guardian online

River Thames, Diamond Jubilee Pageant,

The Queen’s royal barge, 2012-style: a specially adapted Thames river boat dressed for the Diamond Jubilee Pageant

HERE’S THE OFFICIAL MUSICAL ACCOMPANIMENT

➢ An iPad app follows the route of the Thames Diamond Jubilee Pageant in which the London Philharmonic Orchestra will perform popular works by great British and Commonwealth composers on the glass-fronted herald music barge, Symphony.

SAMPLE the LPO performance now!

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2012 ➤ “Very doubtful” — Tony Hadley on the future of Spandau

ITV, Loose Women, Spandau Ballet,Ruth Langsford, Tony Hadley, Janet Street-Porter,

Tony Hadley today: flanked by two of ITV’s Loose Women, Ruth Langsford and Janet Street-Porter who shot the first TV doc about Spandau Ballet in 1980

❚ MORE COLD WATER HAS BEEN POURED on any future reunion for Spandau Ballet. The leaders of the 80s New Romantics movement haven’t worked together since their Reformation reunion tour ended in 2010. Today on ITV’s Loose Women chat show, Janet Street-Porter asked 51-year-old singer Tony Hadley whether he would ever tour again with Spandau. He replied straight away: “Very doubtful.” His life is busy and full of hoovering these days, he says. Big Tone is now the father of five children — baby Genevieve Elizabeth was born in February.

➢ VIEW Tony Hadley’s eight-minute interview on the ITV Player for the next seven days, in Part 4 of Loose Women

➢ Hadley’s own plans include Rewind The 80s Festival returning for a fifth successive year Aug 18–19 at Henley-on-Thames with Kool & The Gang, OMD, Grandmaster Flash, Rick Astley, Soul II Soul, Five Star, Starship, Jimmy Somerville, Sinitta, Marc Almond, Midge Ure, Adam Ant and more, plus festival fun

THOSE HADLEY BOMBSHELLS AT SHAPERSOFTHE80s

➢ The Hadley bombshell no Spandau Ballet fan will welcome
— Dec 2011

➢ Bombshell for Spandau Ballet fans as Hadley unwinds after
US solo tour — Aug 2011

➢ As Big Tone Hadley goes West he tosses out a few interview squibs
— Aug 2011

➢ Spandau Ballet turn east for their final furlong
— Tour’s end, June 2010

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➤ The day Gary Kemp reduced hard-nosed Guardianistas to tears

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❚ AS WITH ANY ARTICLE AT THE GRAUNIAD about New Romantic cheerleaders Spandau Ballet, the resulting comments published online are always riotously entertaining. This is the one band that really winds up Guardianistas to a pitch of fury. When the 80s band announced their reunion tour in 2009, Michael Hann declared how much he’s always loathed them in a Graudina music blog which then provoked 342 comments — 342! — most of them apoplectic. How many other bands can claim such a following?

books, Lyrics of Gary Kemp,Lyric Book Company,

As it happens the Spandau songwriter has recently published an 88-page coffee-table book, titled The Lyrics of Gary Kemp from Lyric Book Company

Today for no apparent reason, the Guranaid runs an item about how Gary Kemp and Steve Norman made Spandau’s 1983 No1 hit True, in which lyricist Kemp admits: “I’m still berated for the line Take your seaside arms, but it’s straight out of Lolita by Vladimir Nabokov.” Readers of Shapersofthe80s already know that the song was inspired by Kemp’s unrequited pash for poppette Clare Grogan — he was 22, she was 18 — who fronted an 80s band of Scottish cuties called Altered Images… On the same page, Steve Norman deconstructs his self-taught sax solo which has a key change in reply to Grover Washington’s Just The Two of Us… All of which strangely prompts tearful blubbing at the Graun, rather than the usual explosion of acerbic outrage. Specimen comments follow after this excuse to run a…

VIDEO OF DARLING CLARE IN HER HEyDAY

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➢ Meanwhile back to today’s Grauniad Online:
❏ Nietzsche39 (who else?) notes: “You don’t bastardise Nabokov. Seaside arms is absurd. Seaside limbs is genius.”

❏ Nepthsolem moans: “It always sounds to me like See side arms, as though referring to the service revolver I imagine was issued to all New Romantics, but sadly never used on TOTP.”

❏ DeeSawdeley says: “I always thought it was seaside aunt, which (for those of us with a seaside aunt, anyway) makes much more sense. Bet he wishes he’d written that now!”

❏ Stolencar comments: “Note also he says she gave him a copy of Lolita not that she had read it.”

❏ To which Vastariner responds: “There’s a picture of her reading it on the front of the Best Of Altered Images compilation released in 1991. Some might call me obsessed for knowing that, or because I have a username taken from one of her lyrics… etc etc.”

❏ From another planet, Golgafrinchan sobs: “I had unrequited love for Clare Grogan, still do to be fair. If you’re reading this Clare, get in touch, there’s still time.”

❏ DameHedwig adds: “I’ve often told my son that if things had worked out for me, Ms Grogan would be his Mum.”

❏ And Mccaugh: “As for the sublime Miss Grogan, well, just how many times did we go and see Gregory’s Girl? Helped, of course, by the fact that it ran at the Dominion Cinema in Edinburgh for three years non-stop.”

❏ Finally Bloodydoorsoff tells a despicable and blatant untruth about darling Clare, so you’ll just have to go to Grunadia Online to see it. And plenty more.

John Gordon Sinclair, Scott Neil), Clare Grogan, Glasgow Film Festival ,Gregory’s Girl

Glasgow Film Festival 2010: Darling Clare seen with Gregory’s Girl sidekick John Gordon Sinclair. In 1994 — sorry, lads — she married bandmate Stephen Lironi in Glasgow and today the couple live in Haringey with their adopted daughter. (Photography by © Scott Neil)

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1928–2012 ➤ Sassoon’s revolution: No teasing. No hair spray. Just the cut.

Vidal Sassoon,the bob, Mary Quant, hairstyles

1963: Sassoon creates the “bob” on designer Mary Quant. (Photo: Getty)

“He revolutionised not just hair but fashion” — model-turned-Vogue fashion editor Grace Coddington

Vidal Sassoon , Albert Hall,

Comeback 1975: Vidal Sassoon between two contrasting examples of his hairdressing for a teach-in at the Albert Hall, where he returned to hairdressing after a five-year break. (Photograph by Tim Graham / Getty)

➢ The Daily Telegraph reports the death at 84 of celebrity hairstylist Vidal Sassoon, whose 1960s wash-and-wear cuts freed women from the tyranny of hairspray…

Vidal Sassoon, who was found dead at home on Wednesday, was at the cutting edge – literally and metaphorically – of hairdressing. His sharp, geometric, low-maintenance 1960s hairstyles revolutionised his craft, sounding the death knell for the stiff, set hairdos of the 1950s. An astute businessman, he made a fortune from his salons and products, and became a household name. “I wanted to eliminate the superfluous and get to the basic angles of cut and shape,” he said… / continued online

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❏ Craig Teper’s 2010 documentary Vidal Sassoon: The Movie follows the true rags-to-riches tale of how a boy from a London orphanage went on to open his own Bond Street salon in 1958 and — influenced by the Bauhaus designs he had studied — he create the “shape” that became his signature cut, the five-point bob. It revolutionised hairdressing. His geometric wash-and-wear cuts marked the end of the beehive and the bouffant hair styles of the 50s. Admirers included the Duchess of Bedford, model Jean Shrimpton, actor Terence Stamp, and film star Mia Farrow. In 1963 he devised the classic “bob” for fashion designer Mary Quant, who called him the “Chanel of hair”. By 1964 he’d gone international by opening his first salon in New York.

Vidal Sassoon, Movie

Sassoon The Movie: the London crimper freed women from 50s bouffants by pioneering the low-maintenance hairstyles that defined the 60s

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➤ Shapersofthe80s is declared an “invaluable website” by British historian

“winter of discontent” ,  Leicester Square, strikes,

Britain’s infamous “winter of discontent” that brought down the Labour government in 1979: as public service workers went on strike, rubbish piled-up even in London’s Leicester Square

Seasons in the Sun,Battle for Britain, Dominic Sandbrook, books, history, Allen Lane,❚ AN “INVALUABLE WEBSITE” — this is the verdict on Shapersofthe80s by historian Dominic Sandbrook, author of the rich new cultural analysis, Seasons in the Sun: The Battle for Britain, 1974–1979. It’s a doorstep of a book, yet highly readable, which reveals numerous upbeat aspects to the chaotic decade many write off as worthless.

Chapter 31 is especially inspirational! Sandbrook gives generous credit to key characters who Shapersofthe80s has long maintained deserve recognition as movers and shapers pivotal to the energy of the 80s. And, having quoted chunks from our own texts, the historian gives due acknowledgement in his extensive bibliography. Indeed, the scope of his research is more impressive than for much other contemporary history, as Sandbrook not only cites political and economic mandarins, but also sifts fine detail from popular culture and eye-witness reportage across the whole social spectrum.

Sandbrook writes: “Behind the lurid news stories, the late 1970s were the decisive point in our recent history. Across the country, a profound argument about the future of the nation was being played out, not just in families and schools but in everything from episodes of Doctor Who to singles by the Clash. These years marked the peak of trade union power and the apogee of an old working-class Britain – but they also saw the birth of home computers, the rise of the ready meal and the triumph of a Grantham grocer’s daughter who would change our history for ever”

Seasons in the Sun is the fourth title in Sandbrook’s survey of postwar Britain. His unstuffy combination of high and low life is behind the BBC2 series The Seventies currently viewable live and on iPlayer.

BBC2 series The Seventies,Seasons in the Sun ,Dominic Sandbrook

Sandbrook’s Seasons in the Sun forms the basis of the current BBC2 TV series The Seventies

REVIEWS OF SEASONS IN THE SUN

❏ “The first three volumes of Dominic Sandbrook’s epic history of Britain between 1956 and 1979 were exceptionally good. The fourth, Seasons in the Sun, is magnificent … marked by its pace, style, wit, narrative and characterisation as by its exhaustive research.” — Roger Hutchinson, Scotsman

❏ “Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture … his books are always readable and assured, and Seasons in the Sun is no exception … Anyone who genuinely believes we have never been so badly governed should read this splendid book.” — Stephen Robinson, Sunday Times

1977, Jayaben Desai, Grunwick, strike, picket

August 1977: Jayaben Desai, treasurer of the strike committee at the Grunwick photo-processing plant, had been picketing for a year, supported by white, male trade unionists while postmen blocked the company’s mail. (Photograph by Graham Wood/Getty)

EVEN WIDER PERSPECTIVE FROM LEADING PLAYWRIGHT

➢ Playwright David Edgar draws together the Sandbrook quartet in The Guardian, May 9, 2012: The 1970s was the moment when our century arrived… As Sandbrook insists, the women’s liberation movement was as much about Hull’s fishermen’s wives and female machinists at Ford Dagenham as feminist activists disrupting Miss World. In 1971, workers campaigning against the closure of Upper Clyde Shipbuilders borrowed the student tactic of the sit-in. As 1970s chronicler Andy Beckett argues, the gay groups who stood shoulder to shoulder with trade unionists outside Grunwick prefigured an alliance which “would become commonplace in the decade to come”. The identity politics that were to become such a satirised feature of the left of the 1970s arose not just out of campus and culture but class war… / continued at Guardian online

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