Category Archives: Europe

➤ “I’m not a rock star” Bowie often said – No, David, you were a messiah

David Bowie, death, obituaries, tributes, rock music, Man Who Fell to Earth, media, videos, films,

A humanoid alien comes to Earth with a mission… What a spooky coincidence that David Bowie played the alien Thomas Jerome Newton in the 1976 film The Man Who Fell to Earth

David Bowie, death, obituaries, tributes, rock music, TheTimes, UK, newspapers

Today’s Times: the masks and the man behind them

◼ ALL 10 BRITISH NATIONAL NEWSPAPERS filled their front pages today with the death of David Bowie at 69 – and so did scores of newspapers overseas. The last pop star whose death justified such deification was Jacko in 2009; and the last British pop star to do likewise was John Lennon, in 1980. The Times of London dedicated 18 pages including an outer broadsheet wrapper to honouring Bowie, plus an editorial comment as blessing. The Guardian topped that with 20 pages, plus the most enlightened editorial comment of them all. Not only did this misfit megastar and cultural icon radiate consummate flair as a performer but he displayed “an instinctive affinity with his times”. He had a “way with the zeitgeist”.

All media, notably social media, captured the dominant sentiment of generations of fans suddenly plunged into mourning. Again and again they claimed: He changed my life. . . He taught me how to be myself. . . David was my inspiration. . . David was my tutor. And most could quote their own favourite song lyric expressing their faith: Oh no, love – you’re not alone. . . Don’t tell them to grow up and out of it. . . It’s only for ever, not long at all. . . All you’ve got to do is win. . . We can be heroes just for one day.

David Bowie, death, obituaries, tributes, rock music, front pages,media, newspapers

Blanket coverage: Bowie on all UK front pages… Image updated 14 Jan to include news magazines

‘THE WORLD HAS LOST AN ORIGINAL’ DECLARED THE GUARDIAN, REMINDING US THAT BOWIE’S
MUSIC WAS MERELY HIS MEDIUM

➢ From today’s main editorial in The Guardian:

His obsession was reinventing himself, not changing the world. But even with that inward focus, Bowie proved a mightily disruptive figure.

The cultural revolution known as “the 60s”, even though it largely took place during the 1970s, blended hazy hopes of a collective awakening to a post-materialist future, with a determined emphasis on the right of the individual to realise his or herself. Nobody embodied the second half of that, the only half which was to stick, like David Bowie. Not for him the protest anthems associated with Dylan or Lennon in the right mood, nor the campus class consciousness raising antics of soixante-huitards. No, almost from the beginning, as this singular stone rolled between obscure bands, dance classes and every last pocket of the avant garde, he grabbed at everything from makeup brushes to music-hall standards for the over-riding purpose of defining, and then reinventing and redefining, the boy born David Jones. . . / Continued at Guardian online

➢ The New York Times eulogises his swansong: David Bowie Allowed His Art to Deliver a Final Message

“I’m not a rock star. I’m not in rock and roll,” Bowie often maintained, and when in 1974 Dick Cavett remarked “You seem to me like a working actor” Bowie agreed, “That’s very good”

Yesterday BBC TV arts czar Will Gompertz called Bowie “the Picasso of pop in the way he was able to synthesise ideas of the modern age and make sense of them in beautiful precise pieces of art”. As is all too clear in the following clips of Bowie’s output – as an actor.

1967 — THE IMAGE

1969 — THE MASK

1969 — SPACE ODDITY

1972 — STARMAN

1973 — LIFE ON MARS

1975 — GOLDEN YEARS

1977 — HEROES

1979 — THE MAN WHO SOLD THE WORLD

David Bowie

Click the pic to view the video in a new window – starring David Bowie with Klaus Nomi and Joey Arias


Updated 16 Jan when Saturday Night Live finally released this pristine 1979 recording of the most immaculate performance of TMWSTW by Bowie, Klaus Nomi, Joey Arias, Stacey Hayden on guitar and Jimmy Destri on keyboards, which some say was the night “he transformed live television”. Alas, this has since been marked Private at YouTube for UK viewers, presumably to comply with NBC regional reach

1980 — ASHES TO ASHES

2006 — VITTEL TV COMMERCIAL

➢ BBC London radio: Onetime Blitz Kid Robert Elms dedicated yesterday’s three-hour show to David Bowie with tributes from Gary Kemp, Chris Sullivan and Julien Temple. Online for a month

➢ Vogue online gallery: Bowie’s fashion history in pictures

➢ Update 13 Jan, Daily Mirror – David Bowie has been secretly cremated without family and friends present: The singer told his loved ones he wanted to “go without any fuss” and not have a funeral service or public memorial. A source in New York told the Mirror: “There is no public or private service or a public memorial. There is nothing. . .” / Continued at Mirror online

➢ Update 13 Jan, Rolling Stone – Bowie planned post-Blackstar album, “Thought he had few more months”: About a week before his death, with Blackstar nearing release, David Bowie called his longtime friend and producer Tony Visconti via FaceTime, and told him he wanted to make one more album. In what turned out to have been the final weeks of his life, Bowie wrote and demo-ed five fresh songs, and was anxious to return to the studio one last time. . . / Continued at Rolling Stone online

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➤ “Just a Friday night at a rock show,” by a survivor

Bataclan, terrorism, Paris

Isobel’s T-shirt

➢ By Isobel Bowdery at Facebook, 14 Nov 2015;

You never think it will happen to you. It was just a Friday night at a rock show. The atmosphere was so happy and everyone was dancing and smiling. And then when the men came through the front entrance and began the shooting, we naively believed it was all part of the show.

It wasn’t just a terrorist attack, it was a massacre. Dozens of people were shot right in front of me. Pools of blood filled the floor. Cries of grown men who held their girlfriends’ dead bodies pierced the small music venue. Futures demolished, families heartbroken, in an instant.

Shocked and alone, I pretended to be dead for over an hour, lying among people who could see their loved ones motionless. Holding my breath, trying to not move, not cry – not giving those men the fear they longed to see. I was incredibly lucky to survive. But so many didn’t. The people who had been there for the exact same reasons as I – to have a fun Friday night – were innocent.

This world is cruel. And acts like this are suppose to highlight the depravity of humans and the images of those men circling us like vultures will haunt me for the rest of my life. The way they meticulously aimed and shot people around the standing area I was in the centre of without any consideration for human life. It didn’t feel real. I expected any moment for someone to say it was just a nightmare.

Bataclan, Paris,Isobel Bowdery, survivor, terrorism, shootings ,

Isobel Bowdery: survivor of the terrorist shootings at last night’s Bataclan concert in Paris

But being a survivor of this horror lets me shed light on the heroes. To the man who reassured me and put his life on line to try and cover my brain whilst I whimpered, to the couple whose last words of love kept me believing the good in the world, to the police who succeded in rescuing hundreds of people, to the complete strangers who picked me up from the road and consoled me during the 45 minutes I truly believed the boy I loved was dead, to the injured man who I had mistaken for him and then on my recognition that he was not Amaury, held me and told me everything was going to be fine despite being all alone and scared himself, to the woman who opened her doors to the survivors, to the friend who offered me shelter and went out to buy new clothes so I wouldn’t have to wear this blood stained top, to all of you who have sent caring messages of support – you make me believe this world has the potential to be better. To never let this happen again.

But most of this is to the 80 people who were murdered inside that venue, who weren’t as lucky, who didn’t get to wake up today and to all the pain that their friends and families are going through. I am so sorry. There’s nothing that will fix the pain. I feel privileged to be there for their last breaths. And truly believing that I would join them, I promise that their last thoughts were not on the animals who caused all this. It was thinking of the people they loved. As I lay down in the blood of strangers and waiting for my bullet to end my mere 22 years, I envisioned every face that I have ever loved and whispered I love you, over and over again, reflecting on the highlights of my life. Wishing that those I love knew just how much, wishing that they knew that no matter what happened to me, to keep believing in the good in people. To not let those men win.

Last night, the lives of many were for ever changed and it is up to us to be better people. To live lives that the innocent victims of this tragedy dreamt about but sadly will now never be able to fulfil. RIP angels. You will never be forgotten.

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2015 ➤ Pitch now to make a video for Duran’s slinky come-back party single

Pressure Off, Paper Gods, Duran Duran, album, video,UK tour, US tour

Duran reignited for 2015: Roger Taylor drums, John Taylor bass, Nick Rhodes keyboards, Simon Le Bon vocals. (Photograph by Stephanie Pistel)

◼ FILM-MAKERS AND CREATIVE TYPES, Duran Duran are talking to you! Deadline for pitching your treatment to make a new lyric video is Sunday 28 June. When they threw out a free-for-all invitation in 2011, dozens of brilliant music videos resulted from people adapting classic Duran tracks. Now DD are trying something similar for their single Pressure Off, the first from a new album, in another video collaboration with Genero TV – click now to apply.

In September, after a gap of nearly five years, the former house band of the Brummie Rum Runner club’s New Romantic scene launch a new studio album – Paper Gods, their 14th. As part of a recording deal with Warner Bros Records, the album starts the next chapter in the Duran story, and features a host of A-list collaborators who include Nile Rodgers, Mark Ronson, Mr Hudson, Janelle Monáe, John Frusciante, Kiesza and Davide Ross.

➢ Previously at Shapersofthe80s:
2011, Ten killer videos made as tributes
to Duran’s return to creativity

Duran Duran,Pressure Off, Janelle Monae,pop music

Pressure Off features Janelle Monáe

“We found a whole new level of inspiration on this album,” says the band’s keyboardist and aesthetic overlord, Nick Rhodes. “We were talking the other day about artists that have been around for a long time – our contemporaries and some older ones, and there’s only a handful of the latter now, still out there playing shows. And we were saying, ‘What albums did they make this far down the line that we own?’ And that was a difficult one.”

DD seem convinced that this album will be one of the most visceral and daring of their career. A senior editor at Yahoo Music has already given Pressure Off a rave review, saying: “The sexy, slinky, all-around groovy party track is the legendary group’s best single in years. . . The remix-ready cut sounds fresh and modern, even as it traffics in D2’s tried-and-true signature sounds: super-Chic chickenscratch guitars, thick ’n’ gooey basslines, sassy soul-sister backup vocals, irresistibly effervescent chants.” Listen now at YouTube and you decide (no prizes for linking the cocktail of images with DD classic hits). Pre-order Duran Duran’s Paper Gods on iTunes and get an instant download of Pressure Off.

➢ Duran Duran 2015 tour dates at their own website – The four-man Duran line-up is set to headline at Bestival, in the UK, in September, and a trickle of European tour dates kicked off this week in Barcelona and The Hague, following up with the US and UK before climaxing in December.

➢ Previously at Shapersofthe80s:
1981, Birth of Duran’s Planet Earth — when other people’s faith put the Brummies into the charts

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Spandau 2010 ➤ Normski says Hola! to Barcelona

Steve Norman, Barcelona

Steve Norman doppelgangers in BCN: live in yer face at front of stage and caught on the video backdrop. Pictured © by Shapersofthe80s

➢ View the video of Normski’s live sax break here

◼ STEVE NORMAN GIVES A THUMBS-UP FOR BARCELONA during one of his dirrrty sax solos on Spandau Ballet’s Reformation tour in 2010 (above). He and the rest of Spandau Ballet returned to Spain this week on their worldwide Soul Boys of the Western World Live tour and tickets are still available for their two weekend dates at the Festival Pedralbes in Barcelona.

Earlier this week on his personal art tour Gary Kemp was bowled over in Bilbao: “Wow. Just seen Gehry’s Guggenheim museum for the first time in the flesh. Even in the rain its magnificent.” Martin tweets: “Thank you Madrid… You were fantastic!” Now Steve is all set: “Ya venimos Barça.”

Spandau Ballet, Soul Boys of the Western World Live, concerts, Madrid, Spain

Surprise acoustic taster: Steve Norman, Tony Hadley and Gary Kemp playing bang in the centre of Madrid. Photo: Carlos Rosillo

➢ Tickets still available for 20 and 21 June when Spandau Ballet play the Festival Pedralbes 2015 in Barcelona, priced from €58 to 128

➢ Spandau’s UK and international concerts continue through the summer months

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➤ Kerpow! Splat! Remix wizard Rusty unleashes all barrels on the music industry slackers

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, conference, Aston University, Soundcloud , Pop music, EDM, synthesiser,

Jan 2015: Rusty Egan ranting, sorry, lecturing at Aston University

◼ DID ASTON UNIVERSITY KNOW WHAT IT WAS DOING inviting deejay Rusty Egan to talk at an academic conference? The drummer and co-founder of the legendary 80s Blitz Club has dedicated his life to promoting electronic dance music so is uniquely qualified to spout on Germany’s seminal synth band at the world’s first scholarly gathering devoted to Kraftwerk and the Birth of Electronic Music. Conference organiser Dr Uwe Schütte claimed: “They are the most important band in the world in the way they changed music.”

Having been among their early disciples, Rusty was besotted enough to go hunting through Germany in the 70s in search of experiments in synthesised pop. His lifelong mission, he believes today, has shown “how Kraftwerk turned into Planet Rock turned into house music and what we know now as dance music.” He tells how he found the world’s first sampler in a German village called Wächtersbach, spent 12 hours making his first mash-up there and “never got paid for that record, not one dime”.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Sampling in Wächtersbach, 1979: ‪Rusty Egan‪ with Ian Tregoning making Wunderwerk with Franz Aumüller‬

Rusty made good with bands such as Rich Kids and Visage, in the face of the fat-cat indolence that prevailed in the torpid British music industry of the 70s, so last month’s platform enabled the now 57-year-old Rusty to settle a few scores by naming and shaming the rip-off merchants who, he says, have nicked his arrangements over the years and never paid a penny for them. By his own account, one of the guilty villains Rusty had paid £500 a day responded to his accusation saying: “Yeah but you should have kept the floppy disk.” Another lesson in the school of hard knocks.

The Aston “lecture” is described by one of the 200 delegates as “more of a comedy routine” and by Rusty himself as “Welcome to my insanity”. It’s now on Soundcloud for all to hear, and is typical of many an hour I’ve spent in Rusty’s kitchen trying to follow his uniquely entertaining stream-of-consciousness which randomly leaps from one story to the next while you work out that 20 years separates them. Early in his talk he says “I’m just mad on sound – it wasn’t a case of double paradiddle” illustrating his point with a beatbox break. So you have often to do a bit of Sherlockian deduction to finish his thoughts for him. His splenetic outbursts and ripe language (parental guidance advised) testify both to his indignation at the greed that characterises sections of the pop fraternity and to his own honesty, which even his friends suspect might be charming naivety.

Here’s his first rant:

In my experience record companies have never ever had any idea about creating music or creative people… I spent years not having any respect whatsoever for any guy in a satin jacket with Ace written on it with a briefcase with tour passes on it, long sideburns, dark glasses and a handlebar moustache, saying “Hi! I’m from your record label”. He was the last guy in the world you wanted to talk to and you had absolutely nothing you wanted to say to him.

VERDICTS BY RUSTY’S FANS AT FACEBOOK

Chi Ming Lai You will be in stitches.
Mat Mckenzie‪ This is a fantastic listen Rusty! ‬
Clive Pierce‪ Bravo… Absolutely riveting.‬
Anver Hanif‪ The knowledge and vision are superb.‬
Derek Quin‪ Rusty, you have been a massive influence on my music heritage. When I heard you speak at Aston it reinvigorated me.
Iris Peters‪ Great fun to listen to.
Jon Lowther‪ You and François Kevorkian defined the evolvement of electronica and the DJ. You have managed to maintain your passion, creativity and faith in an industry that fails. ‬
Mats From‪ I literally LOL’ed many times listening to thi‬s.

Rusty Egan, New Romantics, Blitz Kids, DJ, Kraftwerk, Pop music, EDM, synthesiser,

Kraftwerk’s pioneering drummer Wolfgang Flür: Rusty meets his hero in Dusseldorf more than 30 years after he first went in search of synth. . . “I was 22 when I met Ralf Hütter and Florian Schneider and spent the evening explaining that future clubs will be playing music made by machines – what must they have thought!”

➢ Previously at Shapersofthe80s: 1980, One week in the private worlds of the new young when London blazes with creativity

➢ Previously at Shapersofthe80s: How three wizards met at the same crossroad in time – an inside scene-setter on the forces shaping the Swinging Eighties

RUSTY’S LATEST ELECTRONIC MIX

➢ Update from Spandau Ballet: Legendary deejay and friend of the band Rusty Egan has been confirmed as the support for all of the Soul Boys of the Western World tour UK & Ireland shows

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